Coy Jandreau

Hi, I'm Koi Jandro and welcome to DC High Volume Batman. In this monthly companion series, we sit down with the cast and crew and beyond for DC high-volume Batman.

Hi, I'm Koi Jandro and welcome to DC High Volume Batman. In this monthly companion series, we sit down with the cast and crew and beyond for DC high-volume Batman.

Hi, I'm Koi Jandro and welcome to DC High Volume Batman. In this monthly companion series, we sit down with the cast and crew and beyond for DC high-volume Batman.

Where we last left off in the story, we had the paralleling moments between Harvey Dent and our, at this point, Captain Gordon, as well as the moment where Poison Ivy completely and absolutely corrupts Bruce Wayne because no man can resist Poison Ivy.

Where we last left off in the story, we had the paralleling moments between Harvey Dent and our, at this point, Captain Gordon, as well as the moment where Poison Ivy completely and absolutely corrupts Bruce Wayne because no man can resist Poison Ivy.

Where we last left off in the story, we had the paralleling moments between Harvey Dent and our, at this point, Captain Gordon, as well as the moment where Poison Ivy completely and absolutely corrupts Bruce Wayne because no man can resist Poison Ivy.

Now, today on this show, I am honored to welcome Captain Gordon himself, Jay Paulson, as well as the composer for DC High Volume Batman, the one and only Sam Ewing. But first, I want to bring out a man who has taught me more about Jim Gordon than I ever knew. I didn't know. I'm learning all new things about characters I've loved my whole life. I want to bring out the one and only Jay Paulson.

Now, today on this show, I am honored to welcome Captain Gordon himself, Jay Paulson, as well as the composer for DC High Volume Batman, the one and only Sam Ewing. But first, I want to bring out a man who has taught me more about Jim Gordon than I ever knew. I didn't know. I'm learning all new things about characters I've loved my whole life. I want to bring out the one and only Jay Paulson.

Now, today on this show, I am honored to welcome Captain Gordon himself, Jay Paulson, as well as the composer for DC High Volume Batman, the one and only Sam Ewing. But first, I want to bring out a man who has taught me more about Jim Gordon than I ever knew. I didn't know. I'm learning all new things about characters I've loved my whole life. I want to bring out the one and only Jay Paulson.

We're sitting down with Jay Paulson. You know him from Mad Men, from Rust Creek, from Catch-22. He is our Jim, not yet Commissioner Gordon. How are you, man?

We're sitting down with Jay Paulson. You know him from Mad Men, from Rust Creek, from Catch-22. He is our Jim, not yet Commissioner Gordon. How are you, man?

We're sitting down with Jay Paulson. You know him from Mad Men, from Rust Creek, from Catch-22. He is our Jim, not yet Commissioner Gordon. How are you, man?

I'm so excited to talk about this character. I was telling you before, this is one of the roles that immediately leapt out to me. It is so iconic. It is so big and robust, but it's also a character that is our eyeline. He's the human element in this increasingly larger-than-life series of characters. I have to know for you, what was your personal entry point into this world and into this character?

I'm so excited to talk about this character. I was telling you before, this is one of the roles that immediately leapt out to me. It is so iconic. It is so big and robust, but it's also a character that is our eyeline. He's the human element in this increasingly larger-than-life series of characters. I have to know for you, what was your personal entry point into this world and into this character?

I'm so excited to talk about this character. I was telling you before, this is one of the roles that immediately leapt out to me. It is so iconic. It is so big and robust, but it's also a character that is our eyeline. He's the human element in this increasingly larger-than-life series of characters. I have to know for you, what was your personal entry point into this world and into this character?

It's really special because it is a character that people know from the comics and know from all the media that's adapted it, but I feel like year one is kind of

It's really special because it is a character that people know from the comics and know from all the media that's adapted it, but I feel like year one is kind of

It's really special because it is a character that people know from the comics and know from all the media that's adapted it, but I feel like year one is kind of

of a gordon story like i've always seen him as the lead of this story and it's such a powerful performance in there you brought something really unique because we don't get to see this gordon often was there anything you wanted to bring to this version you felt like was unique to year one

of a gordon story like i've always seen him as the lead of this story and it's such a powerful performance in there you brought something really unique because we don't get to see this gordon often was there anything you wanted to bring to this version you felt like was unique to year one