Coy Jandreau

is it hard to film out of order and find your way into certain moments?

is it hard to film out of order and find your way into certain moments?

You literally got to get in the head of your character.

You literally got to get in the head of your character.

You literally got to get in the head of your character.

You got to do like the actor's method, like you got to process and then externalize twice. Essentially, yeah. Did you have a different voice as you developed the internal that you were surprised the external change? Like, was there an aha moment of like, I have found Jim through the process of finding Jim?

You got to do like the actor's method, like you got to process and then externalize twice. Essentially, yeah. Did you have a different voice as you developed the internal that you were surprised the external change? Like, was there an aha moment of like, I have found Jim through the process of finding Jim?

You got to do like the actor's method, like you got to process and then externalize twice. Essentially, yeah. Did you have a different voice as you developed the internal that you were surprised the external change? Like, was there an aha moment of like, I have found Jim through the process of finding Jim?

That's really interesting because I imagine with like screen-based mediums, you've got a different, one, the lack of chronology, but you've also got a little less freedom of just consciousness because you know your face that you're pulling is going to be on camera.

That's really interesting because I imagine with like screen-based mediums, you've got a different, one, the lack of chronology, but you've also got a little less freedom of just consciousness because you know your face that you're pulling is going to be on camera.

That's really interesting because I imagine with like screen-based mediums, you've got a different, one, the lack of chronology, but you've also got a little less freedom of just consciousness because you know your face that you're pulling is going to be on camera.

Was there any thing you found in doing something in voiceover that you're going to bring to the next project because there was a different uniqueness to that freedom?

Was there any thing you found in doing something in voiceover that you're going to bring to the next project because there was a different uniqueness to that freedom?

Was there any thing you found in doing something in voiceover that you're going to bring to the next project because there was a different uniqueness to that freedom?

Were there moments on relying, you're talking about the minutia and how, you know, you've got every little bit that we're hearing, but were there moments that influenced how you performed, Gordon, because you knew how small these little changes would be?

Were there moments on relying, you're talking about the minutia and how, you know, you've got every little bit that we're hearing, but were there moments that influenced how you performed, Gordon, because you knew how small these little changes would be?

Were there moments on relying, you're talking about the minutia and how, you know, you've got every little bit that we're hearing, but were there moments that influenced how you performed, Gordon, because you knew how small these little changes would be?

Like, is there anything that you did differently since you knew there wasn't a visual element to your performance that you might've done differently with just voice?

Like, is there anything that you did differently since you knew there wasn't a visual element to your performance that you might've done differently with just voice?

Like, is there anything that you did differently since you knew there wasn't a visual element to your performance that you might've done differently with just voice?