Craig Horlbeck

His childlike wonder.

His childlike wonder.

Yeah, yeah. And but like... We kind of like make fun of that, right? Like the Spielberg face and his always seeing the world through a kid's eyes. But this is also just a very dark and sad movie about kind of losing your grip on reality and obsession and becoming consumed by something and not even fully understanding why.

Yeah, yeah. And but like... We kind of like make fun of that, right? Like the Spielberg face and his always seeing the world through a kid's eyes. But this is also just a very dark and sad movie about kind of losing your grip on reality and obsession and becoming consumed by something and not even fully understanding why.

Yeah, yeah. And but like... We kind of like make fun of that, right? Like the Spielberg face and his always seeing the world through a kid's eyes. But this is also just a very dark and sad movie about kind of losing your grip on reality and obsession and becoming consumed by something and not even fully understanding why.

So it's just bizarrely mature for a 29-year-old, fairly like sheltered kid from Arizona. You know, it's just an odd thing.

So it's just bizarrely mature for a 29-year-old, fairly like sheltered kid from Arizona. You know, it's just an odd thing.

So it's just bizarrely mature for a 29-year-old, fairly like sheltered kid from Arizona. You know, it's just an odd thing.

So this came out like six months after Star Wars. And you were saying when you saw that in theaters that there was a divide, that there was like the jocks and there was the Star Wars kids. did this movie like bridge that gap? Because this was a really big hit as well. Yeah.

So this came out like six months after Star Wars. And you were saying when you saw that in theaters that there was a divide, that there was like the jocks and there was the Star Wars kids. did this movie like bridge that gap? Because this was a really big hit as well. Yeah.

So this came out like six months after Star Wars. And you were saying when you saw that in theaters that there was a divide, that there was like the jocks and there was the Star Wars kids. did this movie like bridge that gap? Because this was a really big hit as well. Yeah.

Yeah, I think don't fear the unknown seems to be the thing that Spielberg was driving towards, that Dreyfus talks about what attracted him to it, that there would never be really been a science fiction large-scale movie that was about the potential hope and optimism of connecting with other people. But I don't know. Like, I don't think the movie is necessarily down on humanity.

Yeah, I think don't fear the unknown seems to be the thing that Spielberg was driving towards, that Dreyfus talks about what attracted him to it, that there would never be really been a science fiction large-scale movie that was about the potential hope and optimism of connecting with other people. But I don't know. Like, I don't think the movie is necessarily down on humanity.

Yeah, I think don't fear the unknown seems to be the thing that Spielberg was driving towards, that Dreyfus talks about what attracted him to it, that there would never be really been a science fiction large-scale movie that was about the potential hope and optimism of connecting with other people. But I don't know. Like, I don't think the movie is necessarily down on humanity.

was compelling to him and kind of blending that with his interest in genre movies. But you could tell like in the time that passes between Watergate and his opportunity to make this movie, like he kind of loses interest. Like this is one of the softest government conspiracies of all time. Yeah. Like people find their way onto this platform at the end of the movie, like civilians.

was compelling to him and kind of blending that with his interest in genre movies. But you could tell like in the time that passes between Watergate and his opportunity to make this movie, like he kind of loses interest. Like this is one of the softest government conspiracies of all time. Yeah. Like people find their way onto this platform at the end of the movie, like civilians.

was compelling to him and kind of blending that with his interest in genre movies. But you could tell like in the time that passes between Watergate and his opportunity to make this movie, like he kind of loses interest. Like this is one of the softest government conspiracies of all time. Yeah. Like people find their way onto this platform at the end of the movie, like civilians.

And they're like, you should join in. It's such a, like an open, not conspiratorial way of seeing what would happen if this happened.

And they're like, you should join in. It's such a, like an open, not conspiratorial way of seeing what would happen if this happened.

And they're like, you should join in. It's such a, like an open, not conspiratorial way of seeing what would happen if this happened.