Craig Horlbeck

Hmm.

Didn't really get it. It kind of makes sense if you have seen any true faux films. So it makes me wonder why Steven Spielberg wanted him in the first place. He never really made like a space epic.

Didn't really get it. It kind of makes sense if you have seen any true faux films. So it makes me wonder why Steven Spielberg wanted him in the first place. He never really made like a space epic.

Didn't really get it. It kind of makes sense if you have seen any true faux films. So it makes me wonder why Steven Spielberg wanted him in the first place. He never really made like a space epic.

Gerard Depardieu yeah Martin Balsam or something like an American yeah like like there's because there was casting motives for these guys but it was all French characters I think I think Hackman would have been interesting just to nerd out though like the idea of the barrier of communication is such a key theme of the movie and the idea of Balaban being an interpreter and also that the aliens need interpreters and they take on the human form but they also have this musical signature and

Gerard Depardieu yeah Martin Balsam or something like an American yeah like like there's because there was casting motives for these guys but it was all French characters I think I think Hackman would have been interesting just to nerd out though like the idea of the barrier of communication is such a key theme of the movie and the idea of Balaban being an interpreter and also that the aliens need interpreters and they take on the human form but they also have this musical signature and

Gerard Depardieu yeah Martin Balsam or something like an American yeah like like there's because there was casting motives for these guys but it was all French characters I think I think Hackman would have been interesting just to nerd out though like the idea of the barrier of communication is such a key theme of the movie and the idea of Balaban being an interpreter and also that the aliens need interpreters and they take on the human form but they also have this musical signature and

And that this like how we are connected without language is such a powerful idea in the movie that I really like that is not just a French person, but a French person who's like the 400 blows communicated something so profound to this generation of filmmakers who are in the 70s. It's him paying homage to what Truffaut gave them.

And that this like how we are connected without language is such a powerful idea in the movie that I really like that is not just a French person, but a French person who's like the 400 blows communicated something so profound to this generation of filmmakers who are in the 70s. It's him paying homage to what Truffaut gave them.

And that this like how we are connected without language is such a powerful idea in the movie that I really like that is not just a French person, but a French person who's like the 400 blows communicated something so profound to this generation of filmmakers who are in the 70s. It's him paying homage to what Truffaut gave them.

The Horizon line.

The Horizon line.

The Horizon line.

Well, that shot of Ethan opening the door in The Searchers is the shot of the door opening and Close Encounters.

Well, that shot of Ethan opening the door in The Searchers is the shot of the door opening and Close Encounters.

Well, that shot of Ethan opening the door in The Searchers is the shot of the door opening and Close Encounters.

I hadn't thought about it until now, but they're connected.

I hadn't thought about it until now, but they're connected.

I hadn't thought about it until now, but they're connected.

Wait, were they like, here's Ronnie. Here's our numbers. Literally. Three kids. This is what they did. One meltdown.