Creed Bratton

You'd walk in this thing with your fingers. We'd be talking about stuff and your fingers would be going like you're typing.

It was too much. It was too much.

It was too much. It was too much.

It was too much. It was too much.

And you're fast, too.

And you're fast, too.

And you're fast, too.

Yeah. That is a funny scene.

Yeah. That is a funny scene.

Yeah. That is a funny scene.

Shot from the side, right?

Shot from the side, right?

Shot from the side, right?

We had a lot of shots like that. They just weren't the cookie cutter or stereotyped sitcom stuff. We'd get interesting shots at times. Because our cameramen were so great.

We had a lot of shots like that. They just weren't the cookie cutter or stereotyped sitcom stuff. We'd get interesting shots at times. Because our cameramen were so great.

We had a lot of shots like that. They just weren't the cookie cutter or stereotyped sitcom stuff. We'd get interesting shots at times. Because our cameramen were so great.

Remember, we played the rap party for this movie I worked on with Bo Bridges at the Beach House, at Lloyd Bridges' house. Lucy Goosey played out there, and they were dancing out there like Annette Funicello in the surf and stuff.

Remember, we played the rap party for this movie I worked on with Bo Bridges at the Beach House, at Lloyd Bridges' house. Lucy Goosey played out there, and they were dancing out there like Annette Funicello in the surf and stuff.

Remember, we played the rap party for this movie I worked on with Bo Bridges at the Beach House, at Lloyd Bridges' house. Lucy Goosey played out there, and they were dancing out there like Annette Funicello in the surf and stuff.

I'm a fascinating character. You are. And humble, too. Okay.