Cynthia Erivo
👤 PersonAppearances Over Time
Podcast Appearances
It's very good. I think for a little bit, I was just chasing that because it was nice.
It's very good. I think for a little bit, I was just chasing that because it was nice.
Nothing for anyone then.
Nothing for anyone then.
Nothing for anyone then.
But the thing is, I don't think I've ever thought of it as control necessarily. I think I've always thought of it as a way to encourage and connect people with emotion.
But the thing is, I don't think I've ever thought of it as control necessarily. I think I've always thought of it as a way to encourage and connect people with emotion.
But the thing is, I don't think I've ever thought of it as control necessarily. I think I've always thought of it as a way to encourage and connect people with emotion.
Maybe. Maybe. Maybe I am. And by the way, it can be all things. Yeah.
Maybe. Maybe. Maybe I am. And by the way, it can be all things. Yeah.
Maybe. Maybe. Maybe I am. And by the way, it can be all things. Yeah.
I think I love the conversation of singing. I always think there's a real big conversation going on, especially when I'm singing live. It's a big old conversation. I can see it because I'm looking at people's eyes. I am urging them to connect with me. I'm trying to tell you this story. I can scream. I can yell. I can whisper. I can caress with my voice. I can do all of those things.
I think I love the conversation of singing. I always think there's a real big conversation going on, especially when I'm singing live. It's a big old conversation. I can see it because I'm looking at people's eyes. I am urging them to connect with me. I'm trying to tell you this story. I can scream. I can yell. I can whisper. I can caress with my voice. I can do all of those things.
I think I love the conversation of singing. I always think there's a real big conversation going on, especially when I'm singing live. It's a big old conversation. I can see it because I'm looking at people's eyes. I am urging them to connect with me. I'm trying to tell you this story. I can scream. I can yell. I can whisper. I can caress with my voice. I can do all of those things.
But I want the energy exchange. And I guess selfishly, that energy exchange is like a high for me. It's a rush. And when I can see that it's happening, there's nothing better than that. It is a really vulnerable place to stand and be like, I'm going to open up myself and I'm going to tell you my stories with my voice. It's just me. And that's always a really vulnerable place to be.
But I want the energy exchange. And I guess selfishly, that energy exchange is like a high for me. It's a rush. And when I can see that it's happening, there's nothing better than that. It is a really vulnerable place to stand and be like, I'm going to open up myself and I'm going to tell you my stories with my voice. It's just me. And that's always a really vulnerable place to be.
But I want the energy exchange. And I guess selfishly, that energy exchange is like a high for me. It's a rush. And when I can see that it's happening, there's nothing better than that. It is a really vulnerable place to stand and be like, I'm going to open up myself and I'm going to tell you my stories with my voice. It's just me. And that's always a really vulnerable place to be.
People don't realize that when you have to sing in front of an orchestra, they either love you or hate you. The orchestra. The orchestra. Why would they hate you? Because some singers will come in and there's an entitled thing that people come to an orchestra with where it's like, I'm the singer. You play behind me. You're serving me. You're supporting me. Exactly.
People don't realize that when you have to sing in front of an orchestra, they either love you or hate you. The orchestra. The orchestra. Why would they hate you? Because some singers will come in and there's an entitled thing that people come to an orchestra with where it's like, I'm the singer. You play behind me. You're serving me. You're supporting me. Exactly.
People don't realize that when you have to sing in front of an orchestra, they either love you or hate you. The orchestra. The orchestra. Why would they hate you? Because some singers will come in and there's an entitled thing that people come to an orchestra with where it's like, I'm the singer. You play behind me. You're serving me. You're supporting me. Exactly.