Damien Hughes

I think when he came back a second time, he was seen more originally as a bit of a freak show.

He was almost like people thought he was amusing because of his size and his weight.

So although what he did was incredible, I wouldn't compare the second act to what he was like first.

52.

Yeah, yeah, yeah.

So the Sixth Sentiment Harley stuff tells you about it, that there's those moments where everything just flows for you, but it's where the idea comes from.

But it's almost about you just immerse yourself in the craft.

If it's about playing music, you just love the music.

It's where the keys go.

You're not thinking about the applause at the end of it, you know, if you're performing in that sense.

But it goes back to the DCM Ryan stuff about the self-determination theory of...

You've got to look at what do you want to master?

What is it you love?

What do you have a degree of control over?

And what do you really value?

And I think if you focus on those three questions, they're far healthier questions to focus than necessarily focused on outcomes or the external validation of it.

Another nice technique that people might think about doing is go back and listen to the interview we did with Glenn Hoddle.

Because Glenn, I don't think he'd mind us saying, was somebody that sort of had been caught up in sort of reputation and identity for a large part of his career as that beautiful footballer.

But then when he went into coaching, and I think that horrendous incident when he had a cardiac arrest,

and his life flashed before his eyes gave him the sense of reading his own eulogies when he recovered from it and going casting himself forward into the future and what do i want people to say about me and it won't just be about he was a great footballer he had this bank account it was how he behaved how he conducted himself and how he left other people feeling