Dan Jones

which worked which ended up working despite it scared me a little bit on like the first couple pages yeah well i didn't tell my editors i was doing it until i just handed the book in and uh because i knew they'd say don't approach the book in this particular way it's gonna fit i just had this deep instinct that this was the way to tell the story and that there was a way to i mean henry is an a cold character he can and he can be hard to create empathy with but i just had this sense of

which worked which ended up working despite it scared me a little bit on like the first couple pages yeah well i didn't tell my editors i was doing it until i just handed the book in and uh because i knew they'd say don't approach the book in this particular way it's gonna fit i just had this deep instinct that this was the way to tell the story and that there was a way to i mean henry is an a cold character he can and he can be hard to create empathy with but i just had this sense of

i'd come up with a way of telling this historical story that wouldn't throw the chronology out of shape that would just keep that would like launch you into the story and just keep you there like from start to finish and listen this is like the 15th book i've written and this is for me like a lot of the business of history communication whether it's you know podcasts like this or on television or whatever it might be on the page is

i'd come up with a way of telling this historical story that wouldn't throw the chronology out of shape that would just keep that would like launch you into the story and just keep you there like from start to finish and listen this is like the 15th book i've written and this is for me like a lot of the business of history communication whether it's you know podcasts like this or on television or whatever it might be on the page is

i'd come up with a way of telling this historical story that wouldn't throw the chronology out of shape that would just keep that would like launch you into the story and just keep you there like from start to finish and listen this is like the 15th book i've written and this is for me like a lot of the business of history communication whether it's you know podcasts like this or on television or whatever it might be on the page is

let's take this material from the past, which is so full of not of entertainment, but also of lessons that we can sort of meditate on the world today. And let's make it feel as exciting as the best HBO kind of series or Netflix show or whatever it is. That's my kind of calling. And it gives me great satisfaction, not only to do it, but to hear readers like yourself appreciating it.

let's take this material from the past, which is so full of not of entertainment, but also of lessons that we can sort of meditate on the world today. And let's make it feel as exciting as the best HBO kind of series or Netflix show or whatever it is. That's my kind of calling. And it gives me great satisfaction, not only to do it, but to hear readers like yourself appreciating it.

let's take this material from the past, which is so full of not of entertainment, but also of lessons that we can sort of meditate on the world today. And let's make it feel as exciting as the best HBO kind of series or Netflix show or whatever it is. That's my kind of calling. And it gives me great satisfaction, not only to do it, but to hear readers like yourself appreciating it.

So thank you for that.

So thank you for that.

So thank you for that.

We know a lot of information. about the rack panelling in the Harlequin. There's complexities around the plant and equipment in which some of that rack supports the roof covering also the atrium as well. The issue partly is because it's very difficult to inspect every single panel given the size and nature of the building.

We know a lot of information. about the rack panelling in the Harlequin. There's complexities around the plant and equipment in which some of that rack supports the roof covering also the atrium as well. The issue partly is because it's very difficult to inspect every single panel given the size and nature of the building.

And secondly, obviously the complexities around the ownership and responsibilities and that's what we're working towards at the moment is securing that intrusive survey, which will take us to the next level. But it's not that we don't know the extent of the rack or the extent of the issue. It's defining that with the actual head leaseholder.

And secondly, obviously the complexities around the ownership and responsibilities and that's what we're working towards at the moment is securing that intrusive survey, which will take us to the next level. But it's not that we don't know the extent of the rack or the extent of the issue. It's defining that with the actual head leaseholder.