Dan Mintz

That's good forever.

Yeah, once you, I mean, obviously it could be in a different universe, but once people get used to it, it's hard to imagine, yeah.

I wrote one episode, but yeah.

Yeah, I'm incredibly impressed.

There's no turnover for writers, hardly.

Really?

I actually was possibly going to write on it when I first started and write and do the voice.

Yeah.

And I just remember there was like some disagreement about the title and whatever.

And so I ended up not taking off.

And I think part of it was like, I was excited by the idea of voiceover hours and like, you know, I had just been working on shows with long hours.

So it wasn't easy.

It wasn't hard to convince me not to take the deal versus if I was like, I should just take whatever they give.

But I did kind of think like, oh, well, you know, maybe like in a year or two,

I'll write it, but there's just no turnover of writers.

So just stuff's like not opening.

Well, yeah, I think that's, that's why, I think that's why shows get worse at a certain point is mainly because all the writers leave because they made all their money already.

I mean, I think Lorne is... I think people just really like Lorne.

I think he... Until, you know, meeting him, I always assumed that, like, to be, like, a success, you have to be like Steve Jobs to run... to make anything that's good.

Right.