Danny Philippou

I know. Yeah. And they were possession porn. It was really awesome. Was it like fingering someone and then she saw a ghost?

I know. Yeah. And they were possession porn. It was really awesome. Was it like fingering someone and then she saw a ghost?

I know. Yeah. And they were possession porn. It was really awesome. Was it like fingering someone and then she saw a ghost?

I did not.

I did not.

I did not.

I did not harass. I was not part of that film. But yeah, they were possessed and having sex. Come inside me. No, that's enough titles about this. Stop telling them to come inside you. They're trying to leave town. What would you say, what stuck with you more since you watched them both today? Talk to me or bring her back. Bring her back.

I did not harass. I was not part of that film. But yeah, they were possessed and having sex. Come inside me. No, that's enough titles about this. Stop telling them to come inside you. They're trying to leave town. What would you say, what stuck with you more since you watched them both today? Talk to me or bring her back. Bring her back.

I did not harass. I was not part of that film. But yeah, they were possessed and having sex. Come inside me. No, that's enough titles about this. Stop telling them to come inside you. They're trying to leave town. What would you say, what stuck with you more since you watched them both today? Talk to me or bring her back. Bring her back.

We wanted to make it like a character that the young comfortably empathize with. And I think that's what was great about Sally is that she brought it. She brought a human element to it. She didn't play it like a horror villain. She played it as a broken human being. And she's struggling with what she's doing.

We wanted to make it like a character that the young comfortably empathize with. And I think that's what was great about Sally is that she brought it. She brought a human element to it. She didn't play it like a horror villain. She played it as a broken human being. And she's struggling with what she's doing.

We wanted to make it like a character that the young comfortably empathize with. And I think that's what was great about Sally is that she brought it. She brought a human element to it. She didn't play it like a horror villain. She played it as a broken human being. And she's struggling with what she's doing.

Always in Treatment, which is a TV show. Yeah. Because of how realistic those characters feel and how real the world feels. And something like throwing water on somebody feels like a car crash. So I love that film. I love Let the Right One In.

Always in Treatment, which is a TV show. Yeah. Because of how realistic those characters feel and how real the world feels. And something like throwing water on somebody feels like a car crash. So I love that film. I love Let the Right One In.

Always in Treatment, which is a TV show. Yeah. Because of how realistic those characters feel and how real the world feels. And something like throwing water on somebody feels like a car crash. So I love that film. I love Let the Right One In.

I think that is a really incredible film.

I think that is a really incredible film.

I think that is a really incredible film.

Yeah. What's snowy? Snowy, you're right. Snow is wet. There's a pool scene. And then obviously, obviously, the Holy Grail, Exorcist. Yeah. Yeah, everyone talks about elevated horror. I'm like, they've been elevating horror since the 70s. Have you seen The Exorcist? Have you seen Rosemary's Baby? Yeah. Mouse Hunt is a good one. Yeah, Mark was obsessed with fucking Mouse Hunt.

Yeah. What's snowy? Snowy, you're right. Snow is wet. There's a pool scene. And then obviously, obviously, the Holy Grail, Exorcist. Yeah. Yeah, everyone talks about elevated horror. I'm like, they've been elevating horror since the 70s. Have you seen The Exorcist? Have you seen Rosemary's Baby? Yeah. Mouse Hunt is a good one. Yeah, Mark was obsessed with fucking Mouse Hunt.