Dave Bernad

And I was his assistant. I was like, yeah. So Laura Dern, Laura Dern, I was like 27, 28. And I would show up to these rooms, Mike Lombardo and Sue Nagel and Laura Dern. And I didn't realize how young I was at the time. I just was like, yeah, I deserve to be here for whatever reason. And they were probably looking at me like, who is this? Who's this kid that's in the room?

And I was his assistant. I was like, yeah. So Laura Dern, Laura Dern, I was like 27, 28. And I would show up to these rooms, Mike Lombardo and Sue Nagel and Laura Dern. And I didn't realize how young I was at the time. I just was like, yeah, I deserve to be here for whatever reason. And they were probably looking at me like, who is this? Who's this kid that's in the room?

And I produced the show and yeah, I was the one only producer.

And I produced the show and yeah, I was the one only producer.

And I produced the show and yeah, I was the one only producer.

That's how it got going.

That's how it got going.

That's how it got going.

It's embarrassing how many people say it really is embarrassing. But I play basketball. My high school basketball coach, Mike Hibbs in D.C., who coached at the MAFA, one of the most famous high school basketball programs in the country. So I was the glue guy. I was the guy taking charge. I was the Kurt Rambis of my team. And that's how I view producing. Really, I'm the glue guy.

It's embarrassing how many people say it really is embarrassing. But I play basketball. My high school basketball coach, Mike Hibbs in D.C., who coached at the MAFA, one of the most famous high school basketball programs in the country. So I was the glue guy. I was the guy taking charge. I was the Kurt Rambis of my team. And that's how I view producing. Really, I'm the glue guy.

It's embarrassing how many people say it really is embarrassing. But I play basketball. My high school basketball coach, Mike Hibbs in D.C., who coached at the MAFA, one of the most famous high school basketball programs in the country. So I was the glue guy. I was the guy taking charge. I was the Kurt Rambis of my team. And that's how I view producing. Really, I'm the glue guy.

We're having trouble closing the production designer's deal. I will step in and close the deal. Casting, locations, deal with the network, deal with notes, deal with release date, deal with marketing. You know, I think the best producers know where there's kind of an issue and they step in and they kind of, you know, take over an issue or prevent issues from coming.

We're having trouble closing the production designer's deal. I will step in and close the deal. Casting, locations, deal with the network, deal with notes, deal with release date, deal with marketing. You know, I think the best producers know where there's kind of an issue and they step in and they kind of, you know, take over an issue or prevent issues from coming.

We're having trouble closing the production designer's deal. I will step in and close the deal. Casting, locations, deal with the network, deal with notes, deal with release date, deal with marketing. You know, I think the best producers know where there's kind of an issue and they step in and they kind of, you know, take over an issue or prevent issues from coming.

But, you know, on a day to day level, I can't tell you what my day will be. Just things will present themselves. And again, I think the best producers can kind of put their ego aside and step in and handle any situation.

But, you know, on a day to day level, I can't tell you what my day will be. Just things will present themselves. And again, I think the best producers can kind of put their ego aside and step in and handle any situation.

But, you know, on a day to day level, I can't tell you what my day will be. Just things will present themselves. And again, I think the best producers can kind of put their ego aside and step in and handle any situation.

I would take that. Yeah. But I like to think of myself more like an Austin Reeves guy. Like if I need to, like Jury Duty, for example, was an idea that kind of I originated with another producer, Todd Schulman. And we were kind of figuring out how could we... Todd worked with Sasha and I worked with Eric Andre, did Bad Trip. And we're like, how can we take what we did and put that in TV?

I would take that. Yeah. But I like to think of myself more like an Austin Reeves guy. Like if I need to, like Jury Duty, for example, was an idea that kind of I originated with another producer, Todd Schulman. And we were kind of figuring out how could we... Todd worked with Sasha and I worked with Eric Andre, did Bad Trip. And we're like, how can we take what we did and put that in TV?

I would take that. Yeah. But I like to think of myself more like an Austin Reeves guy. Like if I need to, like Jury Duty, for example, was an idea that kind of I originated with another producer, Todd Schulman. And we were kind of figuring out how could we... Todd worked with Sasha and I worked with Eric Andre, did Bad Trip. And we're like, how can we take what we did and put that in TV?