Dave Rogers

You and Nellie. And I directed that one. So I had that one.

Well, yeah, and that was another one I did. That was an employee transfer. Those were ones I directed because I had, I remember just struggling, like, how are we gonna do the camera angles? Because you have to choose. When you're shooting an interior car scene and you have the, what we call the lipstick cams, you can only get so many cameras in there. So it's like, do you want a raking shot?

Well, yeah, and that was another one I did. That was an employee transfer. Those were ones I directed because I had, I remember just struggling, like, how are we gonna do the camera angles? Because you have to choose. When you're shooting an interior car scene and you have the, what we call the lipstick cams, you can only get so many cameras in there. So it's like, do you want a raking shot?

Well, yeah, and that was another one I did. That was an employee transfer. Those were ones I directed because I had, I remember just struggling, like, how are we gonna do the camera angles? Because you have to choose. When you're shooting an interior car scene and you have the, what we call the lipstick cams, you can only get so many cameras in there. So it's like, do you want a raking shot?

Do you want a single? So we were just looking at these kinds of frames and to say like, hey, this is what we're going for. And I had a conversation with the DP

Do you want a single? So we were just looking at these kinds of frames and to say like, hey, this is what we're going for. And I had a conversation with the DP

Do you want a single? So we were just looking at these kinds of frames and to say like, hey, this is what we're going for. And I had a conversation with the DP

afterwards because she wanted to show like the camera she's like well we should see the cameras you know when we're outside the car i'm like nope i'm like whenever we did this on the show we would not that's the precedent whatever we you know we would have these lipstick cams but sometimes we would have you know we would go film the actual car and you wouldn't see them we didn't want to obscure the actors faces we just buy that these are very very tiny cameras that are in there and then we take so this is so interesting then because

afterwards because she wanted to show like the camera she's like well we should see the cameras you know when we're outside the car i'm like nope i'm like whenever we did this on the show we would not that's the precedent whatever we you know we would have these lipstick cams but sometimes we would have you know we would go film the actual car and you wouldn't see them we didn't want to obscure the actors faces we just buy that these are very very tiny cameras that are in there and then we take so this is so interesting then because

afterwards because she wanted to show like the camera she's like well we should see the cameras you know when we're outside the car i'm like nope i'm like whenever we did this on the show we would not that's the precedent whatever we you know we would have these lipstick cams but sometimes we would have you know we would go film the actual car and you wouldn't see them we didn't want to obscure the actors faces we just buy that these are very very tiny cameras that are in there and then we take so this is so interesting then because

There's still some new things that they can do. But, yes, there are certain things that, you know, like this is the point is that it exists in this universe. We're not doing like – I mean there are so many mockumentary shows out there right now. And, you know, that's one thing I'll say. Greg, you know, he kind of wanted to get back to basics with –

There's still some new things that they can do. But, yes, there are certain things that, you know, like this is the point is that it exists in this universe. We're not doing like – I mean there are so many mockumentary shows out there right now. And, you know, that's one thing I'll say. Greg, you know, he kind of wanted to get back to basics with –

There's still some new things that they can do. But, yes, there are certain things that, you know, like this is the point is that it exists in this universe. We're not doing like – I mean there are so many mockumentary shows out there right now. And, you know, that's one thing I'll say. Greg, you know, he kind of wanted to get back to basics with –

You know, the style of the office and like I don't want to have feel like there's 15 cameras around, you know.

You know, the style of the office and like I don't want to have feel like there's 15 cameras around, you know.

You know, the style of the office and like I don't want to have feel like there's 15 cameras around, you know.

And so, you know, and there have been a lot of, I think, important creative decisions on just, you know, everything from the casting to the set to the style of the show and what we're doing. Well, we're excited.

And so, you know, and there have been a lot of, I think, important creative decisions on just, you know, everything from the casting to the set to the style of the show and what we're doing. Well, we're excited.

And so, you know, and there have been a lot of, I think, important creative decisions on just, you know, everything from the casting to the set to the style of the show and what we're doing. Well, we're excited.

Yes.