David Bianculli

Sean Ono Lennon is one of this documentary's executive producers, which may explain why some of the more unflattering details from the period are omitted or downplayed. But Yoko gets her due here, as she should, as an artist in her own right, and as the victim of some awful treatment by Beatles fans and the press.

And by using TV to tell their story, One to One, John and Yoko retells the story of that time as well. Incendiary times. Inspirational artists. Amazing music.

And by using TV to tell their story, One to One, John and Yoko retells the story of that time as well. Incendiary times. Inspirational artists. Amazing music.

And by using TV to tell their story, One to One, John and Yoko retells the story of that time as well. Incendiary times. Inspirational artists. Amazing music.

Can I just start by saying thank you for having me? Like, I'm a huge fan, and I'm very excited to be here. Well, back at you.

Can I just start by saying thank you for having me? Like, I'm a huge fan, and I'm very excited to be here. Well, back at you.

Can I just start by saying thank you for having me? Like, I'm a huge fan, and I'm very excited to be here. Well, back at you.

But yeah, it is a little bit like magic. You know, I think we're always reinterpreting the classic gags and the classic tricks. And so, you know, that's what we did with Fall Guy. We sort of reimagined the big car jump. We reimagined the high fall from the helicopter. And there is a little secrecy.

But yeah, it is a little bit like magic. You know, I think we're always reinterpreting the classic gags and the classic tricks. And so, you know, that's what we did with Fall Guy. We sort of reimagined the big car jump. We reimagined the high fall from the helicopter. And there is a little secrecy.

But yeah, it is a little bit like magic. You know, I think we're always reinterpreting the classic gags and the classic tricks. And so, you know, that's what we did with Fall Guy. We sort of reimagined the big car jump. We reimagined the high fall from the helicopter. And there is a little secrecy.

I think, you know, part of it for years, because it was such a business where it was passed down, it's apprenticeships, it's passed down from family, usually to kids, and it's hard to crack in and

I think, you know, part of it for years, because it was such a business where it was passed down, it's apprenticeships, it's passed down from family, usually to kids, and it's hard to crack in and

I think, you know, part of it for years, because it was such a business where it was passed down, it's apprenticeships, it's passed down from family, usually to kids, and it's hard to crack in and

And find someone to teach you because they didn't want to share the knowledge so much, you know, because it didn't, again, like it can be a really fun and lucrative business and you want to share it with the people you want to share it with. I think in Fall Guy, we tried to pull the veil back just enough. and not give too much away. You know, you see those fire stunts.

And find someone to teach you because they didn't want to share the knowledge so much, you know, because it didn't, again, like it can be a really fun and lucrative business and you want to share it with the people you want to share it with. I think in Fall Guy, we tried to pull the veil back just enough. and not give too much away. You know, you see those fire stunts.

And find someone to teach you because they didn't want to share the knowledge so much, you know, because it didn't, again, like it can be a really fun and lucrative business and you want to share it with the people you want to share it with. I think in Fall Guy, we tried to pull the veil back just enough. and not give too much away. You know, you see those fire stunts.

We didn't really give the science behind that away. And there is a, you know, that's, what's really amazing about stunts. I think people think it's a bunch of daredevils and, and there's a little bit of that sensibility in stunt performers, but really there's a lot of physics and math and legacy tricks that, you know, get you through the day.

We didn't really give the science behind that away. And there is a, you know, that's, what's really amazing about stunts. I think people think it's a bunch of daredevils and, and there's a little bit of that sensibility in stunt performers, but really there's a lot of physics and math and legacy tricks that, you know, get you through the day.

We didn't really give the science behind that away. And there is a, you know, that's, what's really amazing about stunts. I think people think it's a bunch of daredevils and, and there's a little bit of that sensibility in stunt performers, but really there's a lot of physics and math and legacy tricks that, you know, get you through the day.

You know, I had many conversations on the set of Fall Guy with Ryan about that because you're standing on the ledge and ultimately a lot of stunt work is trusting your team. Now, we had an incredible what we call rigging team on the Fall Guy. Keir Beck is an Australian stunt performer and I've known him since the Matrix years. He's now become one of the... legendary stunt riggers in the business.