David Bianculli

Our TV critic David Bianculli has this review. The new PBS Independent Lens documentary about America's public library system arrives with a very clever two-edged title. It's called Free for All, the Public Library. And the free for all part refers, of course, to the beauty and generosity of the library system, which lends books for free to virtually anyone.

Our TV critic David Bianculli has this review. The new PBS Independent Lens documentary about America's public library system arrives with a very clever two-edged title. It's called Free for All, the Public Library. And the free for all part refers, of course, to the beauty and generosity of the library system, which lends books for free to virtually anyone.

Our TV critic David Bianculli has this review. The new PBS Independent Lens documentary about America's public library system arrives with a very clever two-edged title. It's called Free for All, the Public Library. And the free for all part refers, of course, to the beauty and generosity of the library system, which lends books for free to virtually anyone.

But free-for-all also refers to the many fights surrounding that idealistic institution. Fights against segregated libraries, the banning and burning of books, tax cuts and local library closures, targeted reductions of federal funds, and, quite recently and famously, drag queen story hour. Free for All is co-directed by Don Logsdon, who also narrates, and Lucy Faulkner.

But free-for-all also refers to the many fights surrounding that idealistic institution. Fights against segregated libraries, the banning and burning of books, tax cuts and local library closures, targeted reductions of federal funds, and, quite recently and famously, drag queen story hour. Free for All is co-directed by Don Logsdon, who also narrates, and Lucy Faulkner.

But free-for-all also refers to the many fights surrounding that idealistic institution. Fights against segregated libraries, the banning and burning of books, tax cuts and local library closures, targeted reductions of federal funds, and, quite recently and famously, drag queen story hour. Free for All is co-directed by Don Logsdon, who also narrates, and Lucy Faulkner.

At first, it sets out as a nostalgic memoir, with Logsdon explaining why and how, as a child, her parents took her on road trips traversing the entire country, always stopping at local libraries along the way. But then, like a road trip that keeps heading to new places, this documentary ends up covering all sorts of ground.

At first, it sets out as a nostalgic memoir, with Logsdon explaining why and how, as a child, her parents took her on road trips traversing the entire country, always stopping at local libraries along the way. But then, like a road trip that keeps heading to new places, this documentary ends up covering all sorts of ground.

At first, it sets out as a nostalgic memoir, with Logsdon explaining why and how, as a child, her parents took her on road trips traversing the entire country, always stopping at local libraries along the way. But then, like a road trip that keeps heading to new places, this documentary ends up covering all sorts of ground.

The historical beginnings of American libraries, with nods to Ben Franklin and Andrew Carnegie. The growth and importance of tiny branches in rural communities. Fights involving segregation, book banning, and political and financial pressure. And, at each stop, a focus on individual libraries, librarians, and everyday patrons. And as we learn, some of them are everyday patrons.

The historical beginnings of American libraries, with nods to Ben Franklin and Andrew Carnegie. The growth and importance of tiny branches in rural communities. Fights involving segregation, book banning, and political and financial pressure. And, at each stop, a focus on individual libraries, librarians, and everyday patrons. And as we learn, some of them are everyday patrons.

The historical beginnings of American libraries, with nods to Ben Franklin and Andrew Carnegie. The growth and importance of tiny branches in rural communities. Fights involving segregation, book banning, and political and financial pressure. And, at each stop, a focus on individual libraries, librarians, and everyday patrons. And as we learn, some of them are everyday patrons.

One librarian given a lot of airtime and due credit is Ernestine Rose, who arrived in New York City in 1904 as a newly trained librarian. The city and its inhabitants thrilled her, but also made her wonder how she could best serve such a diverse and largely illiterate immigrant population. Free For All quotes from her writings.

One librarian given a lot of airtime and due credit is Ernestine Rose, who arrived in New York City in 1904 as a newly trained librarian. The city and its inhabitants thrilled her, but also made her wonder how she could best serve such a diverse and largely illiterate immigrant population. Free For All quotes from her writings.

One librarian given a lot of airtime and due credit is Ernestine Rose, who arrived in New York City in 1904 as a newly trained librarian. The city and its inhabitants thrilled her, but also made her wonder how she could best serve such a diverse and largely illiterate immigrant population. Free For All quotes from her writings.

She kept looking for that answer and for ways to serve her eventual Harlem community. By 1920, Ernestine Rose was serving as the branch librarian for Harlem's 135th Street Library.

She kept looking for that answer and for ways to serve her eventual Harlem community. By 1920, Ernestine Rose was serving as the branch librarian for Harlem's 135th Street Library.

She kept looking for that answer and for ways to serve her eventual Harlem community. By 1920, Ernestine Rose was serving as the branch librarian for Harlem's 135th Street Library.

Thanks to the generous contribution of a collector who donated his vast personal library of books written by black authors or about black and other minority cultures, this particular library fueled what came to be known as the Harlem Renaissance. Sculptors and painters held art classes and honed their craft in basement spaces set aside for just that purpose.

Thanks to the generous contribution of a collector who donated his vast personal library of books written by black authors or about black and other minority cultures, this particular library fueled what came to be known as the Harlem Renaissance. Sculptors and painters held art classes and honed their craft in basement spaces set aside for just that purpose.