David Bianculli

It's hard to know because, you know, when you prepare a production like that, you kind of know what your version of it needs to be. I've never heard that back. So it's hard. I don't know. All I'm hearing is what I would have done differently. What would you have done differently? Oh, I don't know. You know, I think that speech in particular actually was probably out of the whole play.

That was sort of never quite the same twice. So you've got a version of it.

That was sort of never quite the same twice. So you've got a version of it.

That was sort of never quite the same twice. So you've got a version of it.

Yes, I think that speech more than any, because it comes near the end. It's probably the most emotional moment. It's the moment where Lady Macbeth's gone. He knows it's all over. It's really just a case of how he's going to go down rather than if he will. And it was, particularly in our staging, it was right up the back. I was sort of sitting very much my own.

Yes, I think that speech more than any, because it comes near the end. It's probably the most emotional moment. It's the moment where Lady Macbeth's gone. He knows it's all over. It's really just a case of how he's going to go down rather than if he will. And it was, particularly in our staging, it was right up the back. I was sort of sitting very much my own.

Yes, I think that speech more than any, because it comes near the end. It's probably the most emotional moment. It's the moment where Lady Macbeth's gone. He knows it's all over. It's really just a case of how he's going to go down rather than if he will. And it was, particularly in our staging, it was right up the back. I was sort of sitting very much my own.

The lighting was such that I was in a pool of darkness. And I sort of tried to dare myself every night to kind of find it, that particular moment, sort of afresh each time. Obviously, that's what you're always trying to do. It's easier with something like Shakespeare because the words are pretty bottomless and they have lots of different...

The lighting was such that I was in a pool of darkness. And I sort of tried to dare myself every night to kind of find it, that particular moment, sort of afresh each time. Obviously, that's what you're always trying to do. It's easier with something like Shakespeare because the words are pretty bottomless and they have lots of different...

The lighting was such that I was in a pool of darkness. And I sort of tried to dare myself every night to kind of find it, that particular moment, sort of afresh each time. Obviously, that's what you're always trying to do. It's easier with something like Shakespeare because the words are pretty bottomless and they have lots of different...

available meanings and that's why actors love doing it so much because on performance 150 you can suddenly hear a line that you thought you knew inside out you can sort of hear it in a brand new way and that's obviously that's a thrill um and also a bit frustrating because you're gonna go oh that's how i should have done that can i go back and do the first 100 performances again please

available meanings and that's why actors love doing it so much because on performance 150 you can suddenly hear a line that you thought you knew inside out you can sort of hear it in a brand new way and that's obviously that's a thrill um and also a bit frustrating because you're gonna go oh that's how i should have done that can i go back and do the first 100 performances again please

available meanings and that's why actors love doing it so much because on performance 150 you can suddenly hear a line that you thought you knew inside out you can sort of hear it in a brand new way and that's obviously that's a thrill um and also a bit frustrating because you're gonna go oh that's how i should have done that can i go back and do the first 100 performances again please

Oh, he could get quite fiery. Yes, he was quite a performer, my dad. There was definitely a bit of an old ham about him. And he... Yes, I wasn't firing brimstone so much, but although he could get there, he could get a little bit... He would thump the pulpit now and again. But no, he was definitely a performer and he was a very good preacher, actually.

Oh, he could get quite fiery. Yes, he was quite a performer, my dad. There was definitely a bit of an old ham about him. And he... Yes, I wasn't firing brimstone so much, but although he could get there, he could get a little bit... He would thump the pulpit now and again. But no, he was definitely a performer and he was a very good preacher, actually.

Oh, he could get quite fiery. Yes, he was quite a performer, my dad. There was definitely a bit of an old ham about him. And he... Yes, I wasn't firing brimstone so much, but although he could get there, he could get a little bit... He would thump the pulpit now and again. But no, he was definitely a performer and he was a very good preacher, actually.

People would ask him to come and guest preach in various places. I think he was very well thought of and he was very loved. He was a very good minister. His congregation liked him and he was kind and he was patient and all the things that... I guess you have to be in that job.

People would ask him to come and guest preach in various places. I think he was very well thought of and he was very loved. He was a very good minister. His congregation liked him and he was kind and he was patient and all the things that... I guess you have to be in that job.

People would ask him to come and guest preach in various places. I think he was very well thought of and he was very loved. He was a very good minister. His congregation liked him and he was kind and he was patient and all the things that... I guess you have to be in that job.

The highest position, but on a revolving yearly basis because the Church of Scotland is built on the idea that there should be no hierarchy. So you take a turn and you step back again.