David Bianculli

He's very uncool in many ways, but he's got that... That ability to undermine everything with a gag or with a twinkle. So I didn't ponder all that. It's quite interesting listening back to that through headphones now. It feels quite green and quite squeaky to me.

He's very uncool in many ways, but he's got that... That ability to undermine everything with a gag or with a twinkle. So I didn't ponder all that. It's quite interesting listening back to that through headphones now. It feels quite green and quite squeaky to me.

He's very uncool in many ways, but he's got that... That ability to undermine everything with a gag or with a twinkle. So I didn't ponder all that. It's quite interesting listening back to that through headphones now. It feels quite green and quite squeaky to me.

Yes, but listen, time is very relative when you're a time lord. And she's a little bit younger than me. She's not that much younger than me.

Yes, but listen, time is very relative when you're a time lord. And she's a little bit younger than me. She's not that much younger than me.

Yes, but listen, time is very relative when you're a time lord. And she's a little bit younger than me. She's not that much younger than me.

That's right, yeah. He was number five. I mean, I watched him as a kid. He became the Doctor when I was about 11. So he was absolutely someone that I drew pictures of in sketchbooks, yeah. That has just added to how odd the whole thing is that I've ended up being part of this show that I grew up obsessed with.

That's right, yeah. He was number five. I mean, I watched him as a kid. He became the Doctor when I was about 11. So he was absolutely someone that I drew pictures of in sketchbooks, yeah. That has just added to how odd the whole thing is that I've ended up being part of this show that I grew up obsessed with.

That's right, yeah. He was number five. I mean, I watched him as a kid. He became the Doctor when I was about 11. So he was absolutely someone that I drew pictures of in sketchbooks, yeah. That has just added to how odd the whole thing is that I've ended up being part of this show that I grew up obsessed with.

You have to just go back to what's written. And I think why Jessica Jones as a series worked so well is because Melissa Rosenberg, who was the showrunner and her team of writers, did something really quite remarkable, I think. It was a superhero show. Jessica Jones, part of the Marvel Universe.

You have to just go back to what's written. And I think why Jessica Jones as a series worked so well is because Melissa Rosenberg, who was the showrunner and her team of writers, did something really quite remarkable, I think. It was a superhero show. Jessica Jones, part of the Marvel Universe.

You have to just go back to what's written. And I think why Jessica Jones as a series worked so well is because Melissa Rosenberg, who was the showrunner and her team of writers, did something really quite remarkable, I think. It was a superhero show. Jessica Jones, part of the Marvel Universe.

The Kilgrave was known in the comic books as the purple man, and he's a character in his first appearance wears a purple jumpsuit and is entirely purple, but has this ability that whatever he says, people have to obey him. So if he tells them to lie down in the street, they lie down in the street.

The Kilgrave was known in the comic books as the purple man, and he's a character in his first appearance wears a purple jumpsuit and is entirely purple, but has this ability that whatever he says, people have to obey him. So if he tells them to lie down in the street, they lie down in the street.

The Kilgrave was known in the comic books as the purple man, and he's a character in his first appearance wears a purple jumpsuit and is entirely purple, but has this ability that whatever he says, people have to obey him. So if he tells them to lie down in the street, they lie down in the street.

You know, and what could be quite a sort of simplistic, rather rather sort of schlocky comic book idea in the hands of the writers that we had became, as you have hinted, it became a story about consent and it became a story about emotional abuse and psychological abuse. But it was also looking into what had caused Kilgrave to be this way.

You know, and what could be quite a sort of simplistic, rather rather sort of schlocky comic book idea in the hands of the writers that we had became, as you have hinted, it became a story about consent and it became a story about emotional abuse and psychological abuse. But it was also looking into what had caused Kilgrave to be this way.

You know, and what could be quite a sort of simplistic, rather rather sort of schlocky comic book idea in the hands of the writers that we had became, as you have hinted, it became a story about consent and it became a story about emotional abuse and psychological abuse. But it was also looking into what had caused Kilgrave to be this way.

And if you had that ability, what would that do to your own psychology? So, yes, he's a monster and he does awful things and there's nothing, there's very little redeemable about him. But I think we were also led into understand that with that ability all his life, how could he not be damaged by that? When he doesn't know if somebody does something because they want to or because he's told them to.

And if you had that ability, what would that do to your own psychology? So, yes, he's a monster and he does awful things and there's nothing, there's very little redeemable about him. But I think we were also led into understand that with that ability all his life, how could he not be damaged by that? When he doesn't know if somebody does something because they want to or because he's told them to.