David Bluvband

And there's this theater in Brooklyn called Film Noir Cinema that has one of those types of screenings that is like you go in, you don't know what is going to be playing, and then the lights go down and you're like, oh, whoa, I guess I'm watching them.

Or anything.

Have you been to a lot of those screenings?

I remember I discovered this place kind of before, like right before COVID.

So it wasn't open for a while.

Then it came back and I've been back a few times since then.

It's a nice theater, kind of uncomfortable, but it is also like...

an experience in and of itself.

And it's run by this old Polish man who is just obsessed with film.

Yeah.

In the earlier draft of it, before it became the story, it was, he was more of the like, um,

Stephen King's old man warning you not to go in the pet cemetery.

He's kind of, it was like that type of a figure.

Yeah.

And I eventually like changed it.

So I changed the story once like-

once certain aspects of my life started like really dominating my thoughts and like occupied my time of like what I, like what I had to be thinking about when I wasn't like trying to be a creative of like my mom getting sick.

And then that's all like, I just, I was like, I, I, this lacks a plot, but I want to write something that's still set with this, but like motivated by this feeling.

Um,

I mean, just the just the idea of like having so much footage of your parent to sift through.