David Bluvband

sort of like is like Polly pocket for boys.

It was like this, like, like you plastic little, um, uh, uh, like Frankenstein, Frankenstein's castle.

And you open it and there's like monsters and there's like all these trap doors and like little things.

That's what I think of.

Like when I think of a, when I think of a script is like, I think of like, what's the setting.

And then I try to put like all these different pieces inside.

And with this one, I wanted to like, I had the setting of this movie theater, like a dollhouse.

Yeah.

It's like, it's essentially, it's a dollhouse.

It's like, so I was like, I, how do I do this dollhouse?

How do I do this?

Like, or castle gray skull, like all these different things.

Like, how do I, how do I fill this dollhouse in with all the things I want?

And in this case, I wanted the motivation to be what I wanted to work through in terms of what I was doing.

dealing in life every day with my mom of just like watching the, my mom is still with us, but her, like, um, you know, she's getting sick all the time and getting like more and more progressively, like less of the person that I grew up with.

the person that I attached a certain definition of love to.

And then our relationship has changed where I still love this person I remember that I know is there somewhere.

But a lot of the light has left her eyes and a lot of the the love that I have to show and like receive is different.

Like she can't like sometimes like, you know, there are times where she'll forget my name or like what I look like or like she'll think like I'm her dad.

And those are very difficult things to deal with.