David Bluvband

It works fine.

I don't want to get a new thing.

I think it means, for Hannah, it's

these are all she has left of him.

And, you know, and in a way, like I'm sure when, you know, I'm going to be looking at all the, all the tapes of my mom, uh, you know, selling her jewelry that she designed or like, or even like, even without take those out of the equation,

I still have her vision boards.

I still have her collages.

She made calendars for everybody in the family ever since Google Paint or Microsoft Paint was invented.

She was always on just making collages or different art projects for people.

And I'll always have those.

I think like, yeah.

Cause there's, cause I mean, there's so many stories of artists that are, that we're,

terrible dads that were just which i don't think lewis is necessarily a terrible dad i think he's someone that is like i think he's a i think he's a loving father in his own way he's he loves his family and loves his daughter and wants to exposure to this thing that he loves and is obsessed with that's one type of very valid real love i mean there's also like

You know, Eugene O'Neill was a neglectful dad.

Joseph Heller was a neglectful... These are all artists that are working through something.

And I think when you do something that obsessively, no matter what it is, you're always working through something.

And I don't think there's malicious intent behind it in the case of Lewis's character.

But he's someone that didn't – that has always been working through something.

And this is how he expresses it.

This is how he – like, you know, Jackson Pollock was working through being an alcoholic.