David Cronenberg

Yeah, I think for me it's just a question of more understanding, you know, and I don't expect there to be any resolution, because I don't think there is one.

Yeah, I think for me it's just a question of more understanding, you know, and I don't expect there to be any resolution, because I don't think there is one.

Yeah, it's death. That's the big resolution. But it's really not a resolution, it's just the end. Of you. Yeah, and that's not the same thing as a resolution. The resolution is perhaps for people who have been left behind, let's say. And I find that's interesting now because with this movie, some of the criticism that is basically negative is exactly that.

Yeah, it's death. That's the big resolution. But it's really not a resolution, it's just the end. Of you. Yeah, and that's not the same thing as a resolution. The resolution is perhaps for people who have been left behind, let's say. And I find that's interesting now because with this movie, some of the criticism that is basically negative is exactly that.

Yeah, it's death. That's the big resolution. But it's really not a resolution, it's just the end. Of you. Yeah, and that's not the same thing as a resolution. The resolution is perhaps for people who have been left behind, let's say. And I find that's interesting now because with this movie, some of the criticism that is basically negative is exactly that.

There's no resolution that they feel that the film wanders off into conspiracy theories that are not relevant and all of that. And I find that... Das bringt die Frage nach, was jemand von einem Film erwartet. Was erwartest du von einem Narrativ? Ist es wie das alte, gut gemachte Victorian-Spiel, in dem jeder String am Ende verbunden ist und jeder Konflikt entschlossen ist?

There's no resolution that they feel that the film wanders off into conspiracy theories that are not relevant and all of that. And I find that... Das bringt die Frage nach, was jemand von einem Film erwartet. Was erwartest du von einem Narrativ? Ist es wie das alte, gut gemachte Victorian-Spiel, in dem jeder String am Ende verbunden ist und jeder Konflikt entschlossen ist?

There's no resolution that they feel that the film wanders off into conspiracy theories that are not relevant and all of that. And I find that... Das bringt die Frage nach, was jemand von einem Film erwartet. Was erwartest du von einem Narrativ? Ist es wie das alte, gut gemachte Victorian-Spiel, in dem jeder String am Ende verbunden ist und jeder Konflikt entschlossen ist?

Ist das, was du erwartest und willst, oder ist es eher ein offenes Ende eines Films?

Ist das, was du erwartest und willst, oder ist es eher ein offenes Ende eines Films?

Ist das, was du erwartest und willst, oder ist es eher ein offenes Ende eines Films?

Well, I think it's wrong-headed, actually. As I say, each film is its own little universe and some of them demand to be resolved in some way or not and others have a very open ending, which I feel The Shrouds does have.

Well, I think it's wrong-headed, actually. As I say, each film is its own little universe and some of them demand to be resolved in some way or not and others have a very open ending, which I feel The Shrouds does have.

Well, I think it's wrong-headed, actually. As I say, each film is its own little universe and some of them demand to be resolved in some way or not and others have a very open ending, which I feel The Shrouds does have.

Und was zur Hölle machst du damit? I would say that's accurate, yes. That was why I made the movie, basically. It's not to, a lot of people think, has it lessened the grief, has it been therapeutic, has it been cathartic? And I say, no, absolutely not. It has not changed any of that. But I did have the desire to discuss it with myself, let's put it that way.

Und was zur Hölle machst du damit? I would say that's accurate, yes. That was why I made the movie, basically. It's not to, a lot of people think, has it lessened the grief, has it been therapeutic, has it been cathartic? And I say, no, absolutely not. It has not changed any of that. But I did have the desire to discuss it with myself, let's put it that way.

Und was zur Hölle machst du damit? I would say that's accurate, yes. That was why I made the movie, basically. It's not to, a lot of people think, has it lessened the grief, has it been therapeutic, has it been cathartic? And I say, no, absolutely not. It has not changed any of that. But I did have the desire to discuss it with myself, let's put it that way.

And then I invite the audience to come along and watch me discussing it with myself and see how it feels to them. So in some ways it's, quotes, autobiographical and in very important ways it's an invention. These are fictional characters and so on.

And then I invite the audience to come along and watch me discussing it with myself and see how it feels to them. So in some ways it's, quotes, autobiographical and in very important ways it's an invention. These are fictional characters and so on.

And then I invite the audience to come along and watch me discussing it with myself and see how it feels to them. So in some ways it's, quotes, autobiographical and in very important ways it's an invention. These are fictional characters and so on.