David Cronenberg

That's exactly right. Yeah, yeah. It's still the whole movie would work if it was all real. All of the conspiracies were for real.

That's exactly right. Yeah, yeah. It's still the whole movie would work if it was all real. All of the conspiracies were for real.

Yes. Yeah, I like that interpretation. I really do, and I think it's accurate. I think it works.

Yes. Yeah, I like that interpretation. I really do, and I think it's accurate. I think it works.

Yes. Yeah, I like that interpretation. I really do, and I think it's accurate. I think it works.

I agree. I mean, body horror is not a term that I ever came up with. I just was reading somebody who had done research and found that it was first used by some critic in 1983. About you? About me. Yeah. It's not, to me, it's very minimalizing. It's very, it's giving short shrift to what I was doing. And I didn't really, I didn't.

I agree. I mean, body horror is not a term that I ever came up with. I just was reading somebody who had done research and found that it was first used by some critic in 1983. About you? About me. Yeah. It's not, to me, it's very minimalizing. It's very, it's giving short shrift to what I was doing. And I didn't really, I didn't.

I agree. I mean, body horror is not a term that I ever came up with. I just was reading somebody who had done research and found that it was first used by some critic in 1983. About you? About me. Yeah. It's not, to me, it's very minimalizing. It's very, it's giving short shrift to what I was doing. And I didn't really, I didn't.

Of course I understand what they mean, but I didn't really relate to it at all.

Of course I understand what they mean, but I didn't really relate to it at all.

Of course I understand what they mean, but I didn't really relate to it at all.

Well, that's right, that's right. And of course critics love to play with that. But as I say to them, just thinking about genre does not give me anything to work with as a filmmaker. I don't think about it, I can't use it. And you think, well, Eastern Promises was a gangster movie, a Russian gangster movie, and

Well, that's right, that's right. And of course critics love to play with that. But as I say to them, just thinking about genre does not give me anything to work with as a filmmaker. I don't think about it, I can't use it. And you think, well, Eastern Promises was a gangster movie, a Russian gangster movie, and

Well, that's right, that's right. And of course critics love to play with that. But as I say to them, just thinking about genre does not give me anything to work with as a filmmaker. I don't think about it, I can't use it. And you think, well, Eastern Promises was a gangster movie, a Russian gangster movie, and

Aber innerhalb des Genres, denke ich, ist es mehr eine Marketing- und eine kritische Frage. Wie verkaufen wir diesen Film? Verkaufen wir ihn als Horrorfilm oder verkaufen wir ihn als... Oder wie beobachten wir ihn kritisch?

Aber innerhalb des Genres, denke ich, ist es mehr eine Marketing- und eine kritische Frage. Wie verkaufen wir diesen Film? Verkaufen wir ihn als Horrorfilm oder verkaufen wir ihn als... Oder wie beobachten wir ihn kritisch?

Aber innerhalb des Genres, denke ich, ist es mehr eine Marketing- und eine kritische Frage. Wie verkaufen wir diesen Film? Verkaufen wir ihn als Horrorfilm oder verkaufen wir ihn als... Oder wie beobachten wir ihn kritisch?

Richtig.

Richtig.

Richtig.