David Harbour

It's a freedom that, you know, we don't care about being clipped, you know, and having reels and bits and pieces of content, as they call it, to go up online so people can flip through it or engage with the 30 seconds, a minute or two. We're not even on that playing field at all. And it's a fucking gift.

It's a fucking gift because I believe that long form interaction, long form conversation and long form comedy, which is what I do, is still the most human sort of pastime. It's something that the brain has to settle into. It's something that you have to take in.

It's a fucking gift because I believe that long form interaction, long form conversation and long form comedy, which is what I do, is still the most human sort of pastime. It's something that the brain has to settle into. It's something that you have to take in.

It's a fucking gift because I believe that long form interaction, long form conversation and long form comedy, which is what I do, is still the most human sort of pastime. It's something that the brain has to settle into. It's something that you have to take in.

It's something you have to follow and engage with in a full way, you know, all the way through, you know, and there's this this idea that I push back against. You know, I talk to a lot of young comics. who come in here and they do specials, but they're doing specials that are a half hour long, 40 minutes long, 33 minutes long, 38 minutes long.

It's something you have to follow and engage with in a full way, you know, all the way through, you know, and there's this this idea that I push back against. You know, I talk to a lot of young comics. who come in here and they do specials, but they're doing specials that are a half hour long, 40 minutes long, 33 minutes long, 38 minutes long.

It's something you have to follow and engage with in a full way, you know, all the way through, you know, and there's this this idea that I push back against. You know, I talk to a lot of young comics. who come in here and they do specials, but they're doing specials that are a half hour long, 40 minutes long, 33 minutes long, 38 minutes long.

And when I got into the game, you know, you did an hour. That was your job. You know, you were a headliner. You do an hour, 50 minutes to an hour to close the show. When you do a special, it's an hour. And as time goes on, because of this idea that That we don't have the attention span anymore to watch long form anything.

And when I got into the game, you know, you did an hour. That was your job. You know, you were a headliner. You do an hour, 50 minutes to an hour to close the show. When you do a special, it's an hour. And as time goes on, because of this idea that That we don't have the attention span anymore to watch long form anything.

And when I got into the game, you know, you did an hour. That was your job. You know, you were a headliner. You do an hour, 50 minutes to an hour to close the show. When you do a special, it's an hour. And as time goes on, because of this idea that That we don't have the attention span anymore to watch long form anything.

That the attention span of people, because of data accumulated through algorithms, then made into a generalization about human beings' ability to pay attention, to engage with something for more than a certain number of minutes, is sort of like the precedent set. And I think it's bullshit. And I have a really hard time knowing that this is the adjustment artists are making. Comics, whoever.

That the attention span of people, because of data accumulated through algorithms, then made into a generalization about human beings' ability to pay attention, to engage with something for more than a certain number of minutes, is sort of like the precedent set. And I think it's bullshit. And I have a really hard time knowing that this is the adjustment artists are making. Comics, whoever.

That the attention span of people, because of data accumulated through algorithms, then made into a generalization about human beings' ability to pay attention, to engage with something for more than a certain number of minutes, is sort of like the precedent set. And I think it's bullshit. And I have a really hard time knowing that this is the adjustment artists are making. Comics, whoever.

Musiker, Leute, die für ein Leben sprechen, dass es in unsere Hände gedrückt wurde, dass die Leute es einfach nicht mehr tun können. Sie können es nicht machen. Sie sind enttäuscht. Seine Aufmerksamkeit ist, ist, hat sich getrunken, vergrößert.

Musiker, Leute, die für ein Leben sprechen, dass es in unsere Hände gedrückt wurde, dass die Leute es einfach nicht mehr tun können. Sie können es nicht machen. Sie sind enttäuscht. Seine Aufmerksamkeit ist, ist, hat sich getrunken, vergrößert.

Musiker, Leute, die für ein Leben sprechen, dass es in unsere Hände gedrückt wurde, dass die Leute es einfach nicht mehr tun können. Sie können es nicht machen. Sie sind enttäuscht. Seine Aufmerksamkeit ist, ist, hat sich getrunken, vergrößert.

Und die Wahrheit ist, dass es diese Deliveriesysteme sind, diese Plattformen, die Art und Weise, wie das Unternehmen strukturiert ist, das das gebraucht hat, And I don't think it's an ability for people to pay attention to things. It's a matter of them wanting to or being engaged with it.

Und die Wahrheit ist, dass es diese Deliveriesysteme sind, diese Plattformen, die Art und Weise, wie das Unternehmen strukturiert ist, das das gebraucht hat, And I don't think it's an ability for people to pay attention to things. It's a matter of them wanting to or being engaged with it.

Und die Wahrheit ist, dass es diese Deliveriesysteme sind, diese Plattformen, die Art und Weise, wie das Unternehmen strukturiert ist, das das gebraucht hat, And I don't think it's an ability for people to pay attention to things. It's a matter of them wanting to or being engaged with it.

But because everyone's accommodating this idea that you've got to keep going shorter and shorter, that's become... Ja.