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David Marchese

👤 Person
2304 total appearances

Appearances Over Time

Podcast Appearances

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

What were some of the other stickers? Do you remember?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

What were some of the other stickers? Do you remember?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

This is something that I was also thinking about coming out of the earlier part of the conversation, where there's like a little, almost like emotional contradiction that I'm hoping that you can tease out for me, where you really expressed in a heartfelt way, like your gratitude to toward the ABT and how it's been an incredible home for you.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

This is something that I was also thinking about coming out of the earlier part of the conversation, where there's like a little, almost like emotional contradiction that I'm hoping that you can tease out for me, where you really expressed in a heartfelt way, like your gratitude to toward the ABT and how it's been an incredible home for you.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

And at the same time, you talk about these feelings of feeling stifled or thwarted a little bit or it took you 15 years to rise to the level of principal dancer or... Listen, it's almost like you're talking about two different places in a way. So tell me about that.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

And at the same time, you talk about these feelings of feeling stifled or thwarted a little bit or it took you 15 years to rise to the level of principal dancer or... Listen, it's almost like you're talking about two different places in a way. So tell me about that.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

Something that I was really thinking about was this sort of wave that's happening of attacks on DEI. And the way you put it was you want to put your head down and do the work. Like, you don't need to be out there shouting from the rooftops. I just wonder if you could sort of explain that approach a little bit more.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

Something that I was really thinking about was this sort of wave that's happening of attacks on DEI. And the way you put it was you want to put your head down and do the work. Like, you don't need to be out there shouting from the rooftops. I just wonder if you could sort of explain that approach a little bit more.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

Because if there were a time to shout from the rooftops, like, it seems like this is one of those times when, you know, maybe there's a fear of backlash or reprisal. So, like... Why the inclination to put the head down and do the work rather than shout from the rooftop?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

Because if there were a time to shout from the rooftops, like, it seems like this is one of those times when, you know, maybe there's a fear of backlash or reprisal. So, like... Why the inclination to put the head down and do the work rather than shout from the rooftop?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

It is complicated, yeah.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

It is complicated, yeah.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

And when you're in communities talking with people and sort of educating about dance, are the kinds of conversations you're having with people different recently than they were 10 years ago, 15 years ago? Are the concerns different?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

And when you're in communities talking with people and sort of educating about dance, are the kinds of conversations you're having with people different recently than they were 10 years ago, 15 years ago? Are the concerns different?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

I'm also curious about how you see dance's place in the culture. Because, you know, I was thinking about how, you know, like the tens of millions of people love to see, you know, viral TikTok dances. Who knows how many people every Friday and Saturday night are going out dancing, dancing all different styles all over the country. But at the same time, we don't really think of dance.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

I'm also curious about how you see dance's place in the culture. Because, you know, I was thinking about how, you know, like the tens of millions of people love to see, you know, viral TikTok dances. Who knows how many people every Friday and Saturday night are going out dancing, dancing all different styles all over the country. But at the same time, we don't really think of dance.

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

dance as an art form is kind of like venerated or central to the culture in the way that music or film is. Do you have any thoughts about why dance as an art form seems to occupy this odd space?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

dance as an art form is kind of like venerated or central to the culture in the way that music or film is. Do you have any thoughts about why dance as an art form seems to occupy this odd space?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

Did you happen to read Jennifer Homan's book, Apollo's Angels, The History of Ballet?

The Daily
'The Interview': Misty Copeland Changed Ballet. Now She's Ready to Move On.

Did you happen to read Jennifer Homan's book, Apollo's Angels, The History of Ballet?