David McCloskey

I'm skipping over some parts here.

Yeah, please do.

Okay.

The protagonist, Sam, has developed the ability to manipulate electromagnetic forces.

He's a renegade crewman who has rejected godhood, Gordon, taking for himself essentially the role of Buddha.

And Sam believes that this technology should be available to the masses and that reincarnation should not be controlled by the elite.

It is basically Hinduism versus Buddhism in space.

In some of the interviews he's given since the Argo operation was declassified, Barry Geller, the producer who had the rights, was kind of pissed that they didn't buy it from him because they essentially just kind of took it.

I mean, so there's actually some IP theft at the center of this story.

Good stuff.

You crazy Hollywood guys.

If only they'd had the helpful summary that I wrote, they could have explained it coherently.

Yeah.

Thank you for that.

So there's the, maybe the impenetrability of the plot, which is an asset because it's hard to explain.

There's also the setting.

And we talked about the desert, you know, kind of sci-fi connection.

The screenplay, it's set in a desert planet.

Ron has deserts.

The architecture in some of these drawings, domes, arches, kind of intricate geometry, kind of...