David Razowsky
speaker
118 appearances
1 recordings
1 series
first heard Feb 2025
last heard Feb 2025
David Razowsky’s voice in public audio — every appearance, attributed to the second.
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Appearances
Also, wenn man lernt, wie man das macht. Können Sie das Wort halten? Ich möchte nur etwas darüber sagen. Sehr oft, wenn ich auf einem Podcast bin, sagt mir Pearson, was es ist, was der Podcast ist. Und mein erster Gedanke ist, dass ich das nicht machen werde, weil wir nur eine Konversation haben werden und wir gehen, wo wir gehen werden.
Es ist so, ja, aber es wird ein Zeitpunkt sein, wo ich ein paar Fragen habe. Ich möchte nicht, dass Sie Ihre Fragen vor Ort sehen, weil wenn Sie eine Frage haben, haben Sie eine Struktur. Und wenn Sie eine Struktur haben, bin ich ein Improvisator und ich folge dem schwarzen Objekt. You know, I'm a crow. I'm not a train. You know, I don't go in a circle and circle.
It's like, oh my God, there's something shiny. And so periodically I'll do what I just did with you, which is, you know, you want to go, forgive me, but it's like, I'm inspired by what you said and you know it because of the connection that we had.
What is it, Charles? What is it that stops people from doing what it is that they're inspired to do, that they're compelled to do? It's fear. It's fear. And the moment, and here's fear. I don't know if you ever read the book, The War of Art, not The Art of War, The War of Art. The War of Art is about, if you ever watch it, what do you want to do?
It's the guy who wrote Bagger Vance, the guy who wrote the screenplay for Bagger Vance, The War of Art. And he says, there's one thing
that gets in the way of what you're doing say that you want to be a writer what's the first thing that most people do i better take a writing class or there's a book on writing all right i better take another writing class i better have a writing partner it's like so what is that one thing that one thing is called resistance and it's resistant every single step of the way what is it that you want and what's stopping you and here's the thing that you learn in improvisation the word no
Doesn't mean no. And I'm not saying that anything other than this. The word no is not going to kill you. It's a stopping point. It's a stop sign. And when you have a stop sign, you stop and you go, what are my options now? What do I have on the table now? What is it? Because all that they said was no. They didn't say, we know where you live and we know where your child goes to grammar school.
I think that, so let's go to the pivot. Let's go to the pivot. When you recognize that somebody has to pivot, that moment that you pivot, you didn't expect that moment that you'd have to pivot. So what does that ask you to do? It asks you to be, it asks you to be inspired to go, how else can I look at this thing? And why am I afraid of not looking at it?
Because I don't know what's going to come next. Well, you know what? And you said it earlier. Wir improvisieren jeden Tag. Und ich weiß nicht, was früher kommen wird. Jemand, der dieses Podcast jetzt liest, könnte eine Idee haben, wie es sein wird. Und wir haben sie einfach falsch gezeigt. Absolut.
For sure. Nothing that we do, nothing that we know how to do, didn't come with us failing. Didn't come with us falling. We know how to walk because we learn how to fall. That's how we do it.
I'm going to tell you, if you look at the road that brought you right here, having a conversation with me, I'm going to say there were five things that you were disappointed in that you pivoted that brought you to me.
When somebody can't walk, when somebody doesn't know how to walk, the first thing you don't do is look for wheelchairs for them. You go, we're gonna figure out how to make it, we're gonna figure out how to walk, unless there's something chronic wrong with them.
I think the thing right there is to go, is not to think about what the consequences are if you don't do it. That thing that scares you. You go, that's going to scare me. That scares me. Okay, let's just take that thing. That scares me. It's not, that scares me, which means that I might not be able to, which means I won't be able to, which means I'm going to be able to.
Those things are all fantasies. Das Definition Worrying Worrying ist Worrying ist Rehearsing for something that you hope doesn't happen. And it's like, take that thing and go because you're going to keep coming back to that. I got to do this. I got to do this. And every time you do that, that you go, this is what I have to do.
I'll give an example. Okay, let's say... Zuerst werde ich ihnen etwas über die kinesthetische Reaktion erzählen. Eine kinesthetische Reaktion ist etwas, was physiologisch im Körper passiert, wenn ein Stimulus kommt. Ein Stimulus könnte etwas sein. Es könnte ein Geruch von Schmerzen sein. Es könnte ein Geruch von Schokoladenkuchen sein. Es könnte jemand, der deinen Namen sagt sein.
Es könnte sein, dass du einen Schuss oder einen Schuss hörst oder so etwas. Es stoppt dich in deinem Trakt. Es nimmt deinen Atem weg. Es nimmt deinen Atem weg. You know, because if one of the things that I say is when your respiration changes, it's because your inspirations change. So what I will have these people do is I'll go, all right, all right, let's do this. Let's just do this.
There's a lot. It's just way too much going on. Okay. Do you ever go to overnight camp? And I'll go, no, this is the exercise. That's how good of an actress. Have you ever been to an overnight camp? And someone will go, no, I never was. It's like, did you have friends going to the overnight camp? And they'll go, yeah. And it's like, what did you like about it?
How was that like, knowing that all your friends were going to have the summertime of going to an overnight camp? And they were just, I was distracting them. And what I'm looking for in that distraction, in that journey that they're going down, is for this, and it happens every single time, Charles, they're going to say a word that's going to stop them.
And they're going to have a kinesthetic response to something. And the first thing I do is I go, look what you just did. You were in flow. The moment that you thought that there was no product that you had to deliver or nothing that you had to show, you were yourself. Now let's talk about the audience. Did you all watch him have that kinesthetic response?
Did you all watch him bumper at that one word, whatever it was, bathing suit or whatever it was? And it's like, yeah, it's like, that's... That's our northern star. That's the moment that we go, tell me about bathing. Like, why did that bother you? And then suddenly they are affected by something. They're having a conversation that they didn't know they were about to have.
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