David Razowsky

I started teaching, I teach every day, I teach classes every single day online. And I started, I had a beginner's class yesterday. And the same beginner's class that I have all the time. And this is it. I am going to sit in this position, whatever it's going to be.

I'm just going to sit here and you're going to look at me and you're going to assume what it is that I'm feeling in the moment that you see me. So if I'm sitting here, I've got my hand on my chin and my eyebrows are furled like this. I look concerned. So the first thing I want to do is to go, here's the thing, nothing comes out of my mouth that first hasn't been dipped in my heart. Think about it.

I'm just going to sit here and you're going to look at me and you're going to assume what it is that I'm feeling in the moment that you see me. So if I'm sitting here, I've got my hand on my chin and my eyebrows are furled like this. I look concerned. So the first thing I want to do is to go, here's the thing, nothing comes out of my mouth that first hasn't been dipped in my heart. Think about it.

I'm just going to sit here and you're going to look at me and you're going to assume what it is that I'm feeling in the moment that you see me. So if I'm sitting here, I've got my hand on my chin and my eyebrows are furled like this. I look concerned. So the first thing I want to do is to go, here's the thing, nothing comes out of my mouth that first hasn't been dipped in my heart. Think about it.

You look at somebody, you empathize with them, you reach them on an emotional level. You meet them where they are. You don't pull them to where you want to be, because if you pull them to where you want to be, they're not going to go. The first thing they do is like, get your hands off me. So the first thing that I teach them is read your partner. Emotionally read your partner.

You look at somebody, you empathize with them, you reach them on an emotional level. You meet them where they are. You don't pull them to where you want to be, because if you pull them to where you want to be, they're not going to go. The first thing they do is like, get your hands off me. So the first thing that I teach them is read your partner. Emotionally read your partner.

You look at somebody, you empathize with them, you reach them on an emotional level. You meet them where they are. You don't pull them to where you want to be, because if you pull them to where you want to be, they're not going to go. The first thing they do is like, get your hands off me. So the first thing that I teach them is read your partner. Emotionally read your partner.

Be in relationship to what you see, not what you want. Because the only source of suffering is non-acceptance. The greatest thing you could do is accept the person that's in front of you, what they're offering in that moment, but part of it isn't the end result. It's about being in the moment. You want their money. Yeah, you want their money. Get their money. Great. But you know what?

Be in relationship to what you see, not what you want. Because the only source of suffering is non-acceptance. The greatest thing you could do is accept the person that's in front of you, what they're offering in that moment, but part of it isn't the end result. It's about being in the moment. You want their money. Yeah, you want their money. Get their money. Great. But you know what?

Be in relationship to what you see, not what you want. Because the only source of suffering is non-acceptance. The greatest thing you could do is accept the person that's in front of you, what they're offering in that moment, but part of it isn't the end result. It's about being in the moment. You want their money. Yeah, you want their money. Get their money. Great. But you know what?

That's not your purpose. Your purpose is to make an emotional connection at the beginning and the money will come, man.

That's not your purpose. Your purpose is to make an emotional connection at the beginning and the money will come, man.

That's not your purpose. Your purpose is to make an emotional connection at the beginning and the money will come, man.

Nein, und eines der Dinge, also ich war, als ich der künstlerische Direktor von Second City war, wurde ich von einem der beliebtesten Theatern in Chicago gefragt, Steppenwolf Theater, wo John Malkovich kam und all die, Laurie Metcalf, sie alle kamen von dort. Und ich wurde gefragt, für sie non-theatrische Improvisationen zu lernen.

Nein, und eines der Dinge, also ich war, als ich der künstlerische Direktor von Second City war, wurde ich von einem der beliebtesten Theatern in Chicago gefragt, Steppenwolf Theater, wo John Malkovich kam und all die, Laurie Metcalf, sie alle kamen von dort. Und ich wurde gefragt, für sie non-theatrische Improvisationen zu lernen.

Nein, und eines der Dinge, also ich war, als ich der künstlerische Direktor von Second City war, wurde ich von einem der beliebtesten Theatern in Chicago gefragt, Steppenwolf Theater, wo John Malkovich kam und all die, Laurie Metcalf, sie alle kamen von dort. Und ich wurde gefragt, für sie non-theatrische Improvisationen zu lernen.

Und sie haben mich zu diesem einen Konzept eingeladen, das man die Viewpoints nennt. Und es gibt neun Viewpoints. Und die neun Sichtpunkte, ich weiß, dass es hyperbolisch klingt, aber es kodifiziert alles. Die neun Sichtpunkte, wie du standest, wie du sitzt, wie du bewegst, wie du sprichst, was ist dein Tempo, wie viel bist du ruhig?

Und sie haben mich zu diesem einen Konzept eingeladen, das man die Viewpoints nennt. Und es gibt neun Viewpoints. Und die neun Sichtpunkte, ich weiß, dass es hyperbolisch klingt, aber es kodifiziert alles. Die neun Sichtpunkte, wie du standest, wie du sitzt, wie du bewegst, wie du sprichst, was ist dein Tempo, wie viel bist du ruhig?

Und sie haben mich zu diesem einen Konzept eingeladen, das man die Viewpoints nennt. Und es gibt neun Viewpoints. Und die neun Sichtpunkte, ich weiß, dass es hyperbolisch klingt, aber es kodifiziert alles. Die neun Sichtpunkte, wie du standest, wie du sitzt, wie du bewegst, wie du sprichst, was ist dein Tempo, wie viel bist du ruhig?

Es kodifiziert jede einer dieser Dinge, sodass, wenn du jemanden schaust, ich schaue dich gerade, Charles, und du klingelst. Und dein Klingeln verbindet sich mit mir. Und das nennt man Gesture. Du klingelst, es verbindet sich mit mir. Und du sagst, mhm, und das ist ein Gesture. Und ich spreche an diesem erhöhten Tempo. Das ist einer der zwei Punkte.