Denis Villeneuve

Yeah. But, yeah, it's all about the nature of the project and the parts are a bit boring, but I wish I could work with all of them again. I'll do it. But it's just... But it's a thing that, honestly, I adore working in the United States, to have access to all these incredible actors. I mean, it's like... And casting is very strange.

Yeah. But, yeah, it's all about the nature of the project and the parts are a bit boring, but I wish I could work with all of them again. I'll do it. But it's just... But it's a thing that, honestly, I adore working in the United States, to have access to all these incredible actors. I mean, it's like... And casting is very strange.

Yeah. But, yeah, it's all about the nature of the project and the parts are a bit boring, but I wish I could work with all of them again. I'll do it. But it's just... But it's a thing that, honestly, I adore working in the United States, to have access to all these incredible actors. I mean, it's like... And casting is very strange.

I mean, you bring someone and its intuitions about the proximity of an actor and a role, and it's a gamble in some ways. But...

I mean, you bring someone and its intuitions about the proximity of an actor and a role, and it's a gamble in some ways. But...

I mean, you bring someone and its intuitions about the proximity of an actor and a role, and it's a gamble in some ways. But...

I'm going to be very honest. Every time I write or direct listening to music, and that's why I say music, I'm very sensitive to music. I absolutely love music, but it does like, you know, I remember once one of my first film,

I'm going to be very honest. Every time I write or direct listening to music, and that's why I say music, I'm very sensitive to music. I absolutely love music, but it does like, you know, I remember once one of my first film,

I'm going to be very honest. Every time I write or direct listening to music, and that's why I say music, I'm very sensitive to music. I absolutely love music, but it does like, you know, I remember once one of my first film,

I was directing a specific scene and as I was alone in my bubble with my headphones listening to this fantastic piece of music and I was saying to myself, it's going to be amazing. It's going to be something. It's the power of music. Then you look at this scene without the music. It's the same with writing. Sometimes I write something and I get emotional. I'm like, oh my God. Maybe I'm great.

I was directing a specific scene and as I was alone in my bubble with my headphones listening to this fantastic piece of music and I was saying to myself, it's going to be amazing. It's going to be something. It's the power of music. Then you look at this scene without the music. It's the same with writing. Sometimes I write something and I get emotional. I'm like, oh my God. Maybe I'm great.

I was directing a specific scene and as I was alone in my bubble with my headphones listening to this fantastic piece of music and I was saying to myself, it's going to be amazing. It's going to be something. It's the power of music. Then you look at this scene without the music. It's the same with writing. Sometimes I write something and I get emotional. I'm like, oh my God. Maybe I'm great.

And then you read it the next morning. It's like, no, it's the music. It sounds stupid, but it's the truth. I cannot work with music. I work with silence. And silence is my friend. My sets are very boring. I'm not a funny director. I'm someone who loves to be... When I get in the car in the morning, it's total silence. I need silence. I arrive on set, I need silence.

And then you read it the next morning. It's like, no, it's the music. It sounds stupid, but it's the truth. I cannot work with music. I work with silence. And silence is my friend. My sets are very boring. I'm not a funny director. I'm someone who loves to be... When I get in the car in the morning, it's total silence. I need silence. I arrive on set, I need silence.

And then you read it the next morning. It's like, no, it's the music. It sounds stupid, but it's the truth. I cannot work with music. I work with silence. And silence is my friend. My sets are very boring. I'm not a funny director. I'm someone who loves to be... When I get in the car in the morning, it's total silence. I need silence. I arrive on set, I need silence.

And I try to protect that bubble all day long. That's where I can... find my way when there's music, I'm gone. It's too powerful. Yeah, yeah, yeah. And this is why, to answer your question, it's like if I have music from the past movies right now, I cannot listen to this music. It's too powerful. Yeah.

And I try to protect that bubble all day long. That's where I can... find my way when there's music, I'm gone. It's too powerful. Yeah, yeah, yeah. And this is why, to answer your question, it's like if I have music from the past movies right now, I cannot listen to this music. It's too powerful. Yeah.

And I try to protect that bubble all day long. That's where I can... find my way when there's music, I'm gone. It's too powerful. Yeah, yeah, yeah. And this is why, to answer your question, it's like if I have music from the past movies right now, I cannot listen to this music. It's too powerful. Yeah.

First of all, yeah, I try to think about the sound and the structure of the sound design as much as possible in the screenplay. And I know as I'm writing that I will need music there, there. I will create a sequence, a musical sequence more. It's something that is embedded in the DNA of the screenplay.

First of all, yeah, I try to think about the sound and the structure of the sound design as much as possible in the screenplay. And I know as I'm writing that I will need music there, there. I will create a sequence, a musical sequence more. It's something that is embedded in the DNA of the screenplay.