Detective Sergeant John Griffin

When he lowered the mask, that's when we were like, oh, we got something here.

The eyebrows were quite distinguishing.

People were trying to learn who this person was.

This was like an all-American boy.

Breaking news, a shooting in Midtown.

You have a crime scene unit that comes out.

You start widening your canvas, and a canvas is basically checking the area for evidence.

Now, evidence would be shell casings, they would be cameras, they'd be witnesses, that kind of stuff.

I think millions of people see some of themselves in Mangione, and that's why they love him so much.

They varied in, hey, that's my next-door neighbor, or this person has a vendetta against the health care system.

We had tons of those.

I remember us reviewing tons of the cameras that are always on the corners like that, just following, you know, for a little bit of a second of all it captured, and then it led to another block, and then to another block.

And they'll do whatever they can not to be tracked.

Sometimes the 12 hours before that, they may not be thinking about the crime, and you can't be on guard 24-7.

Then it was like, all right, well, what are we going to do now?

So he walked in the door and all of a sudden all the girls like, you know, turned their head, looked at him like, who's this new guy?

It's been an incredible journey, and I simply can't imagine the last few years with any other group of guys.

Thank you.

So he walked in the door and all of a sudden all the girls like, you know, turned their head, looked at him like, who's this new guy?

He said, hey, my name's Luigi.