Diane Keaton

Yeah, well, but I can go uptown, too.

I live uptown, but what the hell?

I mean, it would be nice having company, you know?

I mean, I hate driving alone.

Well, that, I didn't even come up with it.

I just delivered it.

It was just there.

I think that was something that he trusted and enjoyed.

Did you happen to read that profile on him in The New Yorker?

No.

That was interesting because Diane Weiss was talking about him.

And if something isn't working, he's very simple about why it isn't working.

Well, with Annie Hall, when I was doing Annie Hall, everything seemed to be working.

He just didn't question it.

We were going with kind of the spontaneous impulses that we were feeling at the time in those scenes, and we just let it rip.

I think Diane Weiss was saying, you know, in Bullets Over Broadway, when she won the Academy Award, that that character wasn't happening.

And he called her up, and he said, it's no good.

And she didn't know what to do.

She didn't know.

And he said, he came up with an idea, and he said, think it's your voice.