Diplo

And then I realized right then I was like, OK, K-pop is like this.

This is what it is.

It's got to be.

immediate crazy clean as hell production but just like really like fun fun like we really need fun records that's why kids love it and then the story about the the black pink song is that i was in korea work you know meeting with the high people and another day i didn't come up with any good records or good ideas and i went to go meet teddy who's like the main guy at yg and black label he's an old friend of mine he was there when i worked on chris brown look at me now

And I always had his number and I was like, let me come by.

And he didn't wake up till 9 p.m.

So I went to the studio really late night.

He's like, I'm doing Blackpink again.

Do you have anything for that?

We're kind of like stuck on the idea.

I played him some songs like this could be this could be good.

And then I played him the jump song, which is a major laser song with these guys, Katia and Paco, who are two Argentinian singers I'd done.

They're like kind of popping.

They had a big tiny desk concert and they're like, it's like.

I was in studio with them in January.

We made this like last January.

I really wanted to bring back Fisher Spooner.

Like I was like, I want to do this like electro clash.

That's like the sound I think people are going to want to hear.

I don't know why I thought that, but I made this song.