DJ Louie XIV

Fame Monster. Yeah, yeah, yeah.

sort of generally a halloween classic so it's got kind of like fun campy like you know monster mash come disco vibes that i really appreciate love that song i like perfect celebrity which is a reheaty nacho kind of song in the sense that like gaga doing like fame commentary was like how she came up like that was her whole thing is like i'm doing you know i'm both becoming a pop star and i'm commentating on becoming a pop star which this song is also doing but it's funny it's lighthearted and it's just hits like it just it sounds so good

sort of generally a halloween classic so it's got kind of like fun campy like you know monster mash come disco vibes that i really appreciate love that song i like perfect celebrity which is a reheaty nacho kind of song in the sense that like gaga doing like fame commentary was like how she came up like that was her whole thing is like i'm doing you know i'm both becoming a pop star and i'm commentating on becoming a pop star which this song is also doing but it's funny it's lighthearted and it's just hits like it just it sounds so good

sort of generally a halloween classic so it's got kind of like fun campy like you know monster mash come disco vibes that i really appreciate love that song i like perfect celebrity which is a reheaty nacho kind of song in the sense that like gaga doing like fame commentary was like how she came up like that was her whole thing is like i'm doing you know i'm both becoming a pop star and i'm commentating on becoming a pop star which this song is also doing but it's funny it's lighthearted and it's just hits like it just it sounds so good

It's got that loud, soft, loud dynamic that you can hear in Smells Like Teen Spirit or something like that, where the verses are quiet and then the hook is just extremely loud and hits you over the head. And that's a really effective pop songwriting technique.

It's got that loud, soft, loud dynamic that you can hear in Smells Like Teen Spirit or something like that, where the verses are quiet and then the hook is just extremely loud and hits you over the head. And that's a really effective pop songwriting technique.

It's got that loud, soft, loud dynamic that you can hear in Smells Like Teen Spirit or something like that, where the verses are quiet and then the hook is just extremely loud and hits you over the head. And that's a really effective pop songwriting technique.

so that's a great one and i also really love garden of eden which is a willfully sort of like tinny sounding song that references like her earliest work like if you go back and listen to the fame production's not like that ornate or like full because she just didn't have the resources yet she didn't have the digital dolby sound whatever like it sounds demo-y and i sort of think that that's a really fun kind of callback to her earliest music so those four i i really like i think that forms like the

so that's a great one and i also really love garden of eden which is a willfully sort of like tinny sounding song that references like her earliest work like if you go back and listen to the fame production's not like that ornate or like full because she just didn't have the resources yet she didn't have the digital dolby sound whatever like it sounds demo-y and i sort of think that that's a really fun kind of callback to her earliest music so those four i i really like i think that forms like the

so that's a great one and i also really love garden of eden which is a willfully sort of like tinny sounding song that references like her earliest work like if you go back and listen to the fame production's not like that ornate or like full because she just didn't have the resources yet she didn't have the digital dolby sound whatever like it sounds demo-y and i sort of think that that's a really fun kind of callback to her earliest music so those four i i really like i think that forms like the

What I like less is like Blade of Grass, which is like the sort of ballad at the end of it that's like a sweet song about like apparently her fiance proposing to her with a blade of grass from their backyard. I just don't think it's like that sturdy of a ballad for her. The Beast is kind of like whatever to me. I like the dance tracks.

What I like less is like Blade of Grass, which is like the sort of ballad at the end of it that's like a sweet song about like apparently her fiance proposing to her with a blade of grass from their backyard. I just don't think it's like that sturdy of a ballad for her. The Beast is kind of like whatever to me. I like the dance tracks.

What I like less is like Blade of Grass, which is like the sort of ballad at the end of it that's like a sweet song about like apparently her fiance proposing to her with a blade of grass from their backyard. I just don't think it's like that sturdy of a ballad for her. The Beast is kind of like whatever to me. I like the dance tracks.

I think those are working better for me than like the sort of like tacked on at the end ballads that are there to make Die with a Smile make sense.

I think those are working better for me than like the sort of like tacked on at the end ballads that are there to make Die with a Smile make sense.

I think those are working better for me than like the sort of like tacked on at the end ballads that are there to make Die with a Smile make sense.

How Bad Do You Want Me, which could, I mean, that in and of itself. Right? How Bad Do You Want Me?

How Bad Do You Want Me, which could, I mean, that in and of itself. Right? How Bad Do You Want Me?

How Bad Do You Want Me, which could, I mean, that in and of itself. Right? How Bad Do You Want Me?

Call it what you want, right.