Doreen Sanfelix

Because you say it like that, the great migration, it's literal, but internally it's not.

Because you say it like that, the great migration, it's literal, but internally it's not.

Because you say it like that, the great migration, it's literal, but internally it's not.

For 17 years, she rubbed on it till her hands bled. Then she rubbed the blood in, mixed it with the rest of the blood on it. Every day, God breathed life into her body. She rubbed and cleaned and polished and prayed over. Play something for me, Bernice.

For 17 years, she rubbed on it till her hands bled. Then she rubbed the blood in, mixed it with the rest of the blood on it. Every day, God breathed life into her body. She rubbed and cleaned and polished and prayed over. Play something for me, Bernice.

For 17 years, she rubbed on it till her hands bled. Then she rubbed the blood in, mixed it with the rest of the blood on it. Every day, God breathed life into her body. She rubbed and cleaned and polished and prayed over. Play something for me, Bernice.

The piano is a living, breathing object. It's a living, breathing altar. It's a portal. It's a door. It takes up so much space. in the design of the home, and it takes up so much space in the consciousness of everyone in the house. It's Big Mama-esque.

The piano is a living, breathing object. It's a living, breathing altar. It's a portal. It's a door. It takes up so much space. in the design of the home, and it takes up so much space in the consciousness of everyone in the house. It's Big Mama-esque.

The piano is a living, breathing object. It's a living, breathing altar. It's a portal. It's a door. It takes up so much space. in the design of the home, and it takes up so much space in the consciousness of everyone in the house. It's Big Mama-esque.

And its language is just much more stealth and loud considering, right, it's silent or it is being forced to be silent. Right. And that's haunting. It's dangerous for people who want to grow in any real way. Right. That's why it's pushing on both of them. Like, do you really get to grow because you get money?

And its language is just much more stealth and loud considering, right, it's silent or it is being forced to be silent. Right. And that's haunting. It's dangerous for people who want to grow in any real way. Right. That's why it's pushing on both of them. Like, do you really get to grow because you get money?

And its language is just much more stealth and loud considering, right, it's silent or it is being forced to be silent. Right. And that's haunting. It's dangerous for people who want to grow in any real way. Right. That's why it's pushing on both of them. Like, do you really get to grow because you get money?

Do you really get to grow because you're going to get some land at a time where white supremacy and Jim Crow are not interested in any kind of black American cultural growth? And are you really going to be upwardly mobile? Just because you have a job, just because you're not in the South, just because you align with a man of the cloth? Are you really going to grow because you present well?

Do you really get to grow because you're going to get some land at a time where white supremacy and Jim Crow are not interested in any kind of black American cultural growth? And are you really going to be upwardly mobile? Just because you have a job, just because you're not in the South, just because you align with a man of the cloth? Are you really going to grow because you present well?

Do you really get to grow because you're going to get some land at a time where white supremacy and Jim Crow are not interested in any kind of black American cultural growth? And are you really going to be upwardly mobile? Just because you have a job, just because you're not in the South, just because you align with a man of the cloth? Are you really going to grow because you present well?

Is that true growth? The piano is questioning both of them. And everybody in the house, their end gets to be questioned. Right. It's pulling both of them in to really assess who they think they are and who they really want to be and who they think they are with or without each other.

Is that true growth? The piano is questioning both of them. And everybody in the house, their end gets to be questioned. Right. It's pulling both of them in to really assess who they think they are and who they really want to be and who they think they are with or without each other.

Is that true growth? The piano is questioning both of them. And everybody in the house, their end gets to be questioned. Right. It's pulling both of them in to really assess who they think they are and who they really want to be and who they think they are with or without each other.

They don't know who Bernice is. No, we didn't have a conversation. None of the guys. Malcolm and I did. Malcolm and I dove. Malcolm and I talked about the spiritual trajectory. We talked about Zora Neale Hurston.

They don't know who Bernice is. No, we didn't have a conversation. None of the guys. Malcolm and I did. Malcolm and I dove. Malcolm and I talked about the spiritual trajectory. We talked about Zora Neale Hurston.