Douglas Taurel

Yeah. You know, I even shared the play with him when he first came on Twitter, I shared it with him and we follow each other. And every once in a while we'll send a message and I told him about the play and

Good. He said good. Or I once asked him, what about, it was a couple years back, I said, man, what about... Um, no Netflix. He goes negative, negative. He is a bespoke human being. Yeah. Yeah. He's stoic. He is that definition of modern stoicism. Yeah.

Good. He said good. Or I once asked him, what about, it was a couple years back, I said, man, what about... Um, no Netflix. He goes negative, negative. He is a bespoke human being. Yeah. Yeah. He's stoic. He is that definition of modern stoicism. Yeah.

Good. He said good. Or I once asked him, what about, it was a couple years back, I said, man, what about... Um, no Netflix. He goes negative, negative. He is a bespoke human being. Yeah. Yeah. He's stoic. He is that definition of modern stoicism. Yeah.

So through the lens of soldiers, except for guys there three times, three times. And so, but when I first performed it, when I thought that that was going to be the end of it, um,

So through the lens of soldiers, except for guys there three times, three times. And so, but when I first performed it, when I thought that that was going to be the end of it, um,

So through the lens of soldiers, except for guys there three times, three times. And so, but when I first performed it, when I thought that that was going to be the end of it, um,

um a a gold star sister came up to me she had lost her brother in afghanistan and she was really really emotional and i really had thought andy that that was going to be the only time i was going to do this play that was it and she said i don't know if you know what you're doing but i hope you don't stop because it's really important and she had told me about her brother and um

um a a gold star sister came up to me she had lost her brother in afghanistan and she was really really emotional and i really had thought andy that that was going to be the only time i was going to do this play that was it and she said i don't know if you know what you're doing but i hope you don't stop because it's really important and she had told me about her brother and um

um a a gold star sister came up to me she had lost her brother in afghanistan and she was really really emotional and i really had thought andy that that was going to be the only time i was going to do this play that was it and she said i don't know if you know what you're doing but i hope you don't stop because it's really important and she had told me about her brother and um

And that was, you know, I thought, maybe I'm kind of on to something. And it was only 20 minutes. You know, it was a lot of guys there in the time.

And that was, you know, I thought, maybe I'm kind of on to something. And it was only 20 minutes. You know, it was a lot of guys there in the time.

And that was, you know, I thought, maybe I'm kind of on to something. And it was only 20 minutes. You know, it was a lot of guys there in the time.

No, at that time, at that time, it was only like, six characters. Okay.

No, at that time, at that time, it was only like, six characters. Okay.

No, at that time, at that time, it was only like, six characters. Okay.

And the end, the end, which might work today with people's attention. Uh, no, the plate now is 90, 90 minutes. Okay. Yeah. Yeah. I was going to say, my goodness. Yeah, no, it's 90 minutes, man. Um, And so anyhow, my director, who I had paid to come on board, he was like, well, maybe you're on to something. He goes, well, do you want to keep going?

And the end, the end, which might work today with people's attention. Uh, no, the plate now is 90, 90 minutes. Okay. Yeah. Yeah. I was going to say, my goodness. Yeah, no, it's 90 minutes, man. Um, And so anyhow, my director, who I had paid to come on board, he was like, well, maybe you're on to something. He goes, well, do you want to keep going?

And the end, the end, which might work today with people's attention. Uh, no, the plate now is 90, 90 minutes. Okay. Yeah. Yeah. I was going to say, my goodness. Yeah, no, it's 90 minutes, man. Um, And so anyhow, my director, who I had paid to come on board, he was like, well, maybe you're on to something. He goes, well, do you want to keep going?

And I said, yeah, man, I think, you know, maybe I can find another festival. And I like to do this play. He says, well, let's work on it a little bit more together.