Douglas Taurel
๐ค SpeakerAppearances Over Time
Podcast Appearances
Yeah. Yeah. But I mean, I can tell other stories too. I mean, if you go, I mean, if you go up to the menu, I'm sorry, I forgot. Michael. Michael. I don't know why I was going to say that. Or Michelle. Michelle. Michael. If you go to... Oh, I'm sorry. Scroll down. Keep going down. Veteran letters. Keep coming down. I'll tell you this. Just keep smoothly coming down. Keep coming down.
Yeah. Yeah. But I mean, I can tell other stories too. I mean, if you go, I mean, if you go up to the menu, I'm sorry, I forgot. Michael. Michael. I don't know why I was going to say that. Or Michelle. Michelle. Michael. If you go to... Oh, I'm sorry. Scroll down. Keep going down. Veteran letters. Keep coming down. I'll tell you this. Just keep smoothly coming down. Keep coming down.
Keep coming down. Keep coming down. Keep coming down. Keep coming down. Right there. Go up. Right there. So you would read veteran testimonials. Right there. Yeah. Click that. And if you go up a little bit, see that chopper? Yeah, that chopper one on the far left. The Apache. Yeah. Yeah. So that guy, no, not that one, far left, that was the Vietnam. She was a very powerful message.
Keep coming down. Keep coming down. Keep coming down. Keep coming down. Right there. Go up. Right there. So you would read veteran testimonials. Right there. Yeah. Click that. And if you go up a little bit, see that chopper? Yeah, that chopper one on the far left. The Apache. Yeah. Yeah. So that guy, no, not that one, far left, that was the Vietnam. She was a very powerful message.
Keep coming down. Keep coming down. Keep coming down. Keep coming down. Right there. Go up. Right there. So you would read veteran testimonials. Right there. Yeah. Click that. And if you go up a little bit, see that chopper? Yeah, that chopper one on the far left. The Apache. Yeah. Yeah. So that guy, no, not that one, far left, that was the Vietnam. She was a very powerful message.
She saw me in Iowa. So I kept his, he asked me to hide his name. I did it in, the play's taking me everywhere. I mean, I've done Chocolate Factories, the Kennedy Center. I did it in Bannerman Island, right across from West Point. How many times have you performed it now? Man, I've done the play now. 10 years now, but it's been in over 40 cities, 35 states.
She saw me in Iowa. So I kept his, he asked me to hide his name. I did it in, the play's taking me everywhere. I mean, I've done Chocolate Factories, the Kennedy Center. I did it in Bannerman Island, right across from West Point. How many times have you performed it now? Man, I've done the play now. 10 years now, but it's been in over 40 cities, 35 states.
She saw me in Iowa. So I kept his, he asked me to hide his name. I did it in, the play's taking me everywhere. I mean, I've done Chocolate Factories, the Kennedy Center. I did it in Bannerman Island, right across from West Point. How many times have you performed it now? Man, I've done the play now. 10 years now, but it's been in over 40 cities, 35 states.
I think you do both simultaneously. For a long time, I was wondering if the message was not wanted anymore.
I think you do both simultaneously. For a long time, I was wondering if the message was not wanted anymore.
I think you do both simultaneously. For a long time, I was wondering if the message was not wanted anymore.
I definitely believe you, wane. When you say wax, you mean like crash? Ebb and flow. Yeah, that's a good way to put it. That's what's happening. But I keep getting bookings. People keep wanting to see, and that was kind of what I reached out to you because I've seen, it's been really interesting.
I definitely believe you, wane. When you say wax, you mean like crash? Ebb and flow. Yeah, that's a good way to put it. That's what's happening. But I keep getting bookings. People keep wanting to see, and that was kind of what I reached out to you because I've seen, it's been really interesting.
I definitely believe you, wane. When you say wax, you mean like crash? Ebb and flow. Yeah, that's a good way to put it. That's what's happening. But I keep getting bookings. People keep wanting to see, and that was kind of what I reached out to you because I've seen, it's been really interesting.
The play has so many different layers, but it's been really interesting when I go to small towns, Tumul, Iowa, Champaign, Illinois, Red Hook, New York, A lot of the people who love the play, who want to see the play are an older demographic that are trying to remember the America that doesn't kind of exist anymore.
The play has so many different layers, but it's been really interesting when I go to small towns, Tumul, Iowa, Champaign, Illinois, Red Hook, New York, A lot of the people who love the play, who want to see the play are an older demographic that are trying to remember the America that doesn't kind of exist anymore.
The play has so many different layers, but it's been really interesting when I go to small towns, Tumul, Iowa, Champaign, Illinois, Red Hook, New York, A lot of the people who love the play, who want to see the play are an older demographic that are trying to remember the America that doesn't kind of exist anymore.
And they're holding on and they're in these small towns that has, that it's been hollowed out by all the manufacturing. They're gone. There's no jobs there. And all the young people have left. And I've kind of noticed this, layer in the past couple of years, you know, as I've been doing three, four years now, I've been doing the play in these small towns.
And they're holding on and they're in these small towns that has, that it's been hollowed out by all the manufacturing. They're gone. There's no jobs there. And all the young people have left. And I've kind of noticed this, layer in the past couple of years, you know, as I've been doing three, four years now, I've been doing the play in these small towns.
And they're holding on and they're in these small towns that has, that it's been hollowed out by all the manufacturing. They're gone. There's no jobs there. And all the young people have left. And I've kind of noticed this, layer in the past couple of years, you know, as I've been doing three, four years now, I've been doing the play in these small towns.