Dr. Peter Weller

But the thing is, if I go look at the clock or look at this news or whatever, I'm not in it, man. Okay? And the last thing, these are like so simple. You think, come on. It ain't that simple. Yeah, it is. You cannot edit. And everybody from Luciano DiCrescenzo, one of the great Neapolitan formalist writers, funny guy, to Woody, to whatever. You write, write, write, write, write, write, write.

But the thing is, if I go look at the clock or look at this news or whatever, I'm not in it, man. Okay? And the last thing, these are like so simple. You think, come on. It ain't that simple. Yeah, it is. You cannot edit. And everybody from Luciano DiCrescenzo, one of the great Neapolitan formalist writers, funny guy, to Woody, to whatever. You write, write, write, write, write, write, write.

But the thing is, if I go look at the clock or look at this news or whatever, I'm not in it, man. Okay? And the last thing, these are like so simple. You think, come on. It ain't that simple. Yeah, it is. You cannot edit. And everybody from Luciano DiCrescenzo, one of the great Neapolitan formalist writers, funny guy, to Woody, to whatever. You write, write, write, write, write, write, write.

Some people call it zero draft. Some people call it draft one. Some people call it a blowout. There are all different names for it. But the second that you get into editing, no, let me go see what I wrote yesterday. You're cooked because then your left brain judgment takes over. Oh, it's all over it, man. Yeah. And you ain't ever finishing it.

Some people call it zero draft. Some people call it draft one. Some people call it a blowout. There are all different names for it. But the second that you get into editing, no, let me go see what I wrote yesterday. You're cooked because then your left brain judgment takes over. Oh, it's all over it, man. Yeah. And you ain't ever finishing it.

Some people call it zero draft. Some people call it draft one. Some people call it a blowout. There are all different names for it. But the second that you get into editing, no, let me go see what I wrote yesterday. You're cooked because then your left brain judgment takes over. Oh, it's all over it, man. Yeah. And you ain't ever finishing it.

Yeah. First thing in the morning. That's really, yeah. And your right brain is flying. It's flying with invention. There's a friend of mine who has a friend who modeled for Salvador Dali. Wow. And he said Dali, he was a model. And he was a legit model. And he was a big cowboy looking guy.

Yeah. First thing in the morning. That's really, yeah. And your right brain is flying. It's flying with invention. There's a friend of mine who has a friend who modeled for Salvador Dali. Wow. And he said Dali, he was a model. And he was a legit model. And he was a big cowboy looking guy.

Yeah. First thing in the morning. That's really, yeah. And your right brain is flying. It's flying with invention. There's a friend of mine who has a friend who modeled for Salvador Dali. Wow. And he said Dali, he was a model. And he was a legit model. And he was a big cowboy looking guy.

my friend's friend was and dolly would have him dress up different costumes that he had and dolly would sit on a dais uh and he was in new york or at the essex hotel and sit on a dais with like um a hard rubber ball like a handball okay in front of a thing and would look at this guy i'd say move here move there move there and i said hold that And then you just stare at it.

my friend's friend was and dolly would have him dress up different costumes that he had and dolly would sit on a dais uh and he was in new york or at the essex hotel and sit on a dais with like um a hard rubber ball like a handball okay in front of a thing and would look at this guy i'd say move here move there move there and i said hold that And then you just stare at it.

my friend's friend was and dolly would have him dress up different costumes that he had and dolly would sit on a dais uh and he was in new york or at the essex hotel and sit on a dais with like um a hard rubber ball like a handball okay in front of a thing and would look at this guy i'd say move here move there move there and i said hold that And then you just stare at it.

And Dali, this time in the 56s, 70s, right, would fade into, like, alpha state. He'd nap out.

And Dali, this time in the 56s, 70s, right, would fade into, like, alpha state. He'd nap out.

And Dali, this time in the 56s, 70s, right, would fade into, like, alpha state. He'd nap out.

The guy would hold this, right? And the second he'd nap out, he'd drop the ball.

The guy would hold this, right? And the second he'd nap out, he'd drop the ball.

The guy would hold this, right? And the second he'd nap out, he'd drop the ball.

Right? And the ball dropped, and he'd start drawing, like, a fool because that was his alpha state hallucinogenic...

Right? And the ball dropped, and he'd start drawing, like, a fool because that was his alpha state hallucinogenic...