Dr. Peter Weller

Oh, yeah.

Oh, yeah.

Oh, yeah.

Yeah, there you go. Oh, really? Okay, you guys are real Southern California. Yeah. No, through and through.

Yeah, there you go. Oh, really? Okay, you guys are real Southern California. Yeah. No, through and through.

Yeah, there you go. Oh, really? Okay, you guys are real Southern California. Yeah. No, through and through.

I was invited to it, and I have no desire to go.

I was invited to it, and I have no desire to go.

I was invited to it, and I have no desire to go.

Have you ever been to a bullfight in Spain? No, and I don't want to. We're big animal lovers, too. I have to say two things. I went to Spain to do a movie by Ernesto Salvador, who was the great Argentinian existentialist freedom guy, called El Tunel, right after I finished Robocop. Robocop wasn't out. So I go over there to do this movie with Jane Seymour in Spain.

Have you ever been to a bullfight in Spain? No, and I don't want to. We're big animal lovers, too. I have to say two things. I went to Spain to do a movie by Ernesto Salvador, who was the great Argentinian existentialist freedom guy, called El Tunel, right after I finished Robocop. Robocop wasn't out. So I go over there to do this movie with Jane Seymour in Spain.

Have you ever been to a bullfight in Spain? No, and I don't want to. We're big animal lovers, too. I have to say two things. I went to Spain to do a movie by Ernesto Salvador, who was the great Argentinian existentialist freedom guy, called El Tunel, right after I finished Robocop. Robocop wasn't out. So I go over there to do this movie with Jane Seymour in Spain.

And it's at the time that Madrid is still ugly because they're using third world gas and the ecosystem's not up. It's 1986. And I go to finish the movie in Argentina. By this time, I have friends in Madrid who have turned me on to all four films. six forms of Sevillanas flamenco and Bolerias flamenco and I go to flamenco. And then I'm in love with the whole Andalusia jam and I'm just like done.

And it's at the time that Madrid is still ugly because they're using third world gas and the ecosystem's not up. It's 1986. And I go to finish the movie in Argentina. By this time, I have friends in Madrid who have turned me on to all four films. six forms of Sevillanas flamenco and Bolerias flamenco and I go to flamenco. And then I'm in love with the whole Andalusia jam and I'm just like done.

And it's at the time that Madrid is still ugly because they're using third world gas and the ecosystem's not up. It's 1986. And I go to finish the movie in Argentina. By this time, I have friends in Madrid who have turned me on to all four films. six forms of Sevillanas flamenco and Bolerias flamenco and I go to flamenco. And then I'm in love with the whole Andalusia jam and I'm just like done.

I want to go back and dig the festival of Seville. The festival of Seville is a flamenco festival before a big bullfight. And there's a guy bullfighting there named El Spartaco, as part of his Saturday. No, but you don't want to see a bullfight, man. I know. Because I tell you, it is macho beyond belief.

I want to go back and dig the festival of Seville. The festival of Seville is a flamenco festival before a big bullfight. And there's a guy bullfighting there named El Spartaco, as part of his Saturday. No, but you don't want to see a bullfight, man. I know. Because I tell you, it is macho beyond belief.

I want to go back and dig the festival of Seville. The festival of Seville is a flamenco festival before a big bullfight. And there's a guy bullfighting there named El Spartaco, as part of his Saturday. No, but you don't want to see a bullfight, man. I know. Because I tell you, it is macho beyond belief.

And it is diabolically brutal. It's brutal. It's brutal and it's just part of Spanish ethic. It's part of Andalusian, Gitano ethic. Like flamenco is. Mm-hmm. But even the Plaza de Toros in Mexico Suidad is a big place for... Yeah. But I tell you, I cannot ever watch one again. I've never been to one. Never watch one again.

And it is diabolically brutal. It's brutal. It's brutal and it's just part of Spanish ethic. It's part of Andalusian, Gitano ethic. Like flamenco is. Mm-hmm. But even the Plaza de Toros in Mexico Suidad is a big place for... Yeah. But I tell you, I cannot ever watch one again. I've never been to one. Never watch one again.