Dustin Lynch

You still should just go in and be you and sing and deliver the emotion, how you feel it. Yeah, the second album was one where, It was me trying to figure out, okay, how much do I put my foot down and make it me versus listening to outside influence, you know, in the building. Who produced that record? It was between Brett Beavers. He started, he did the first album.

You still should just go in and be you and sing and deliver the emotion, how you feel it. Yeah, the second album was one where, It was me trying to figure out, okay, how much do I put my foot down and make it me versus listening to outside influence, you know, in the building. Who produced that record? It was between Brett Beavers. He started, he did the first album.

And then we brought in some, we brought in Mickey Jack Cones as well. The sound between the first record and the second album had started to shift a little bit in our genre. And so we were trying to find a good mix of sound. even some of the technology of how we were recording and mixing all the way down to the writing rooms.

And then we brought in some, we brought in Mickey Jack Cones as well. The sound between the first record and the second album had started to shift a little bit in our genre. And so we were trying to find a good mix of sound. even some of the technology of how we were recording and mixing all the way down to the writing rooms.

On our first record, we put in some drum loops and we're scared to death people would get mad at us. By the second record, it was how everybody was writing songs. Everyone was doing it that way.

On our first record, we put in some drum loops and we're scared to death people would get mad at us. By the second record, it was how everybody was writing songs. Everyone was doing it that way.

so you know we're kind of trying to find that but at the same time me really learning about how to be a better communicator in the studio but also in these meetings where we're the anr meetings where we're picking the music and i want to sing about this i don't want to sing about that well we think you should do this and it's like yeah but you're not singing it every night i am and just the push and pull of of that relationship um that that happens and um

so you know we're kind of trying to find that but at the same time me really learning about how to be a better communicator in the studio but also in these meetings where we're the anr meetings where we're picking the music and i want to sing about this i don't want to sing about that well we think you should do this and it's like yeah but you're not singing it every night i am and just the push and pull of of that relationship um that that happens and um

It was a lot of fun. I think we ended up really finding the next chapter of sound through that process and things really started opening and we started really, I think, streaking our number ones together. The live show energy really swelled with that record and we landed a giant tour with Luke Bryan off of that album too.

It was a lot of fun. I think we ended up really finding the next chapter of sound through that process and things really started opening and we started really, I think, streaking our number ones together. The live show energy really swelled with that record and we landed a giant tour with Luke Bryan off of that album too.

It was Garth Brooks.

It was Garth Brooks.

Yeah, I love the intensity and how much fun, not only Garth is having, you know, he's got you in the palm of his hand, but his band members. I always remember watching those shows and, you know, when Garth's way out here on the thrust, maybe his band's over here.

Yeah, I love the intensity and how much fun, not only Garth is having, you know, he's got you in the palm of his hand, but his band members. I always remember watching those shows and, you know, when Garth's way out here on the thrust, maybe his band's over here.

And even the guitar player, the fiddle player, they're captivating and they've got you and you're watching them and they're smiling at you and they're pointing at you. And I just love a very interactive show. And my hero is George Strait, but not a great interacting show. It's kind of, they do their thing and they play the music. The songs kind of speak for themselves with George Strait. They do.

And even the guitar player, the fiddle player, they're captivating and they've got you and you're watching them and they're smiling at you and they're pointing at you. And I just love a very interactive show. And my hero is George Strait, but not a great interacting show. It's kind of, they do their thing and they play the music. The songs kind of speak for themselves with George Strait. They do.

It's a magical moment, but there's not a lot of movement from that microphone, but the songs do the speaking. But that's also part of the mystique and the fun of that set. Yeah. Yeah, I think, you know, best of both worlds. The George Strait songs and melodies with the Garth Brooks antics on stage. And that's my perfect amount of music for me.

It's a magical moment, but there's not a lot of movement from that microphone, but the songs do the speaking. But that's also part of the mystique and the fun of that set. Yeah. Yeah, I think, you know, best of both worlds. The George Strait songs and melodies with the Garth Brooks antics on stage. And that's my perfect amount of music for me.

Well, you've achieved that.

Well, you've achieved that.