E-40

On this song, which I was obsessed with this song because I loved the song trying to be good. I just love the idea of hyping up a guy who's supposed to be amazing and then he sucks. We had Lenny Pickett do sax for this song, just little squeaks. I don't know why we needed Lenny to do it, but he sent us a bunch of real shitty little squeaks and he's so talented. they sounded too good.

On this song, which I was obsessed with this song because I loved the song trying to be good. I just love the idea of hyping up a guy who's supposed to be amazing and then he sucks. We had Lenny Pickett do sax for this song, just little squeaks. I don't know why we needed Lenny to do it, but he sent us a bunch of real shitty little squeaks and he's so talented. they sounded too good.

So we had to go with a demo that was just this shitty fucking synthesizer that we had that we made dumb, horrible Casio sax sounds that we were just like, it's funnier than Lenny trying to be bad.

So we had to go with a demo that was just this shitty fucking synthesizer that we had that we made dumb, horrible Casio sax sounds that we were just like, it's funnier than Lenny trying to be bad.

So we had to go with a demo that was just this shitty fucking synthesizer that we had that we made dumb, horrible Casio sax sounds that we were just like, it's funnier than Lenny trying to be bad.

Yeah.

Yeah.

Yeah.

That routinely happened to us because we would always record like a million versions. We'd always like double our lyrics to make them sound beefier and cooler. And then you'd get like something from E40 or Jack would come in or Julian Casablanca. And you'd get these like, like E40 was a one take. And you're like, he just knocked it out. Where you're like, okay, that's how it's done, I guess.

That routinely happened to us because we would always record like a million versions. We'd always like double our lyrics to make them sound beefier and cooler. And then you'd get like something from E40 or Jack would come in or Julian Casablanca. And you'd get these like, like E40 was a one take. And you're like, he just knocked it out. Where you're like, okay, that's how it's done, I guess.

That routinely happened to us because we would always record like a million versions. We'd always like double our lyrics to make them sound beefier and cooler. And then you'd get like something from E40 or Jack would come in or Julian Casablanca. And you'd get these like, like E40 was a one take. And you're like, he just knocked it out. Where you're like, okay, that's how it's done, I guess.

Right.

Right.

Right.

Are we talking about the Doritos commercial?

Are we talking about the Doritos commercial?

Are we talking about the Doritos commercial?

I take full ownership and responsibility for this.

I take full ownership and responsibility for this.

I take full ownership and responsibility for this.