East Forest

And I've also noticed more of a diversity of both backgrounds, but ages that are into this. So a lot of non-yogis, of course. Just people and hearing the way people are using the music or have been introduced to it in all sorts of different ways. Of course, from psychedelic therapy, which is becoming much and much more mainstream in our cultural conversation.

And I've also noticed more of a diversity of both backgrounds, but ages that are into this. So a lot of non-yogis, of course. Just people and hearing the way people are using the music or have been introduced to it in all sorts of different ways. Of course, from psychedelic therapy, which is becoming much and much more mainstream in our cultural conversation.

And I've also noticed more of a diversity of both backgrounds, but ages that are into this. So a lot of non-yogis, of course. Just people and hearing the way people are using the music or have been introduced to it in all sorts of different ways. Of course, from psychedelic therapy, which is becoming much and much more mainstream in our cultural conversation.

But maybe it was in like a bodywork session or actually in like kids art classes. or people using it with the passing of a family member. I mean, really powerful moments in people's lives. It seems to be helpful to sort of amplify or help them walk through emotional spaces.

But maybe it was in like a bodywork session or actually in like kids art classes. or people using it with the passing of a family member. I mean, really powerful moments in people's lives. It seems to be helpful to sort of amplify or help them walk through emotional spaces.

But maybe it was in like a bodywork session or actually in like kids art classes. or people using it with the passing of a family member. I mean, really powerful moments in people's lives. It seems to be helpful to sort of amplify or help them walk through emotional spaces.

I mean, you know, I could say it was a part of a plan, but as part of half plan, half it just unfolds. I would record in two ways. One was in these medicine ceremonies, plant medicine ceremonies where I'm improvising. So that's a very unique situation because things are just coming out and you're just recording what's happening. And then some of that turns into records.

I mean, you know, I could say it was a part of a plan, but as part of half plan, half it just unfolds. I would record in two ways. One was in these medicine ceremonies, plant medicine ceremonies where I'm improvising. So that's a very unique situation because things are just coming out and you're just recording what's happening. And then some of that turns into records.

I mean, you know, I could say it was a part of a plan, but as part of half plan, half it just unfolds. I would record in two ways. One was in these medicine ceremonies, plant medicine ceremonies where I'm improvising. So that's a very unique situation because things are just coming out and you're just recording what's happening. And then some of that turns into records.

Then I also will make studio records that are more traditional in the sense that, you know, I can work on it over months and other people can come and play on it. And I like doing both. Those can be more intentional because you might have a concept. Like it could be anything. Like I want to work with strings a lot on this record or I want this one to be more of like rhythm and lyrics. Yeah.

Then I also will make studio records that are more traditional in the sense that, you know, I can work on it over months and other people can come and play on it. And I like doing both. Those can be more intentional because you might have a concept. Like it could be anything. Like I want to work with strings a lot on this record or I want this one to be more of like rhythm and lyrics. Yeah.

Then I also will make studio records that are more traditional in the sense that, you know, I can work on it over months and other people can come and play on it. And I like doing both. Those can be more intentional because you might have a concept. Like it could be anything. Like I want to work with strings a lot on this record or I want this one to be more of like rhythm and lyrics. Yeah.

Karen. It's like the stack of rocks you see when you're hiking on mountains. Yeah.

Karen. It's like the stack of rocks you see when you're hiking on mountains. Yeah.

Karen. It's like the stack of rocks you see when you're hiking on mountains. Yeah.

Well, you know, that one was actually a collaborative record with Keith Sweaty, who's a producer.

Well, you know, that one was actually a collaborative record with Keith Sweaty, who's a producer.

Well, you know, that one was actually a collaborative record with Keith Sweaty, who's a producer.

That was very like 50-50 us just making a joint record. That one actually is somewhat of an outlier from my catalog in that it's more electronic and has a lot of lyrics. That's just sort of what emerged through that collaboration. You never know what's going to happen.

That was very like 50-50 us just making a joint record. That one actually is somewhat of an outlier from my catalog in that it's more electronic and has a lot of lyrics. That's just sort of what emerged through that collaboration. You never know what's going to happen.