Eddie Brill
๐ค SpeakerAppearances Over Time
Podcast Appearances
And it's not that funny, might be a funny person, Might might have jokes, but mostly they don't. They're mostly like, hey, I'm the clown, clown, clown. And that's OK. Nothing wrong with being a clown. Well, you know, many comics are clowns and and many clowns are comics. And then they'll bring on like their friends who are talented. So the audience gets a show.
And it's not that funny, might be a funny person, Might might have jokes, but mostly they don't. They're mostly like, hey, I'm the clown, clown, clown. And that's OK. Nothing wrong with being a clown. Well, you know, many comics are clowns and and many clowns are comics. And then they'll bring on like their friends who are talented. So the audience gets a show.
And it's not that funny, might be a funny person, Might might have jokes, but mostly they don't. They're mostly like, hey, I'm the clown, clown, clown. And that's OK. Nothing wrong with being a clown. Well, you know, many comics are clowns and and many clowns are comics. And then they'll bring on like their friends who are talented. So the audience gets a show.
That's the smartest way to use the Internet. But, you know, but I think that I want to stay away from being the comic or like when I was a kid, you know, there are comics we used to go off and we didn't have two legs. You know, we would go out there, you know. So I don't appreciate the I appreciate the art of stand up.
That's the smartest way to use the Internet. But, you know, but I think that I want to stay away from being the comic or like when I was a kid, you know, there are comics we used to go off and we didn't have two legs. You know, we would go out there, you know. So I don't appreciate the I appreciate the art of stand up.
That's the smartest way to use the Internet. But, you know, but I think that I want to stay away from being the comic or like when I was a kid, you know, there are comics we used to go off and we didn't have two legs. You know, we would go out there, you know. So I don't appreciate the I appreciate the art of stand up.
And I love the writing the joke and, you know, trying it out and then rewriting the joke and then trying it out and getting it to a place and then writing a new joke and then trying that out. That part to me is the art form. But it doesn't mean that these people who are playing on the Internet are, you know, are that talented at stand up. They're talented at creating a phenomenon.
And I love the writing the joke and, you know, trying it out and then rewriting the joke and then trying it out and getting it to a place and then writing a new joke and then trying that out. That part to me is the art form. But it doesn't mean that these people who are playing on the Internet are, you know, are that talented at stand up. They're talented at creating a phenomenon.
And I love the writing the joke and, you know, trying it out and then rewriting the joke and then trying it out and getting it to a place and then writing a new joke and then trying that out. That part to me is the art form. But it doesn't mean that these people who are playing on the Internet are, you know, are that talented at stand up. They're talented at creating a phenomenon.
There are comics who work the Madison Square Garden who are not funny to me. It doesn't mean I don't like them or hate them or, you know, wish them poorly. It's just that, you know, they've learned to use the Internet. And I think it's a very smart ploy on their part. It doesn't mean I have to enjoy it or love it or, you know,
There are comics who work the Madison Square Garden who are not funny to me. It doesn't mean I don't like them or hate them or, you know, wish them poorly. It's just that, you know, they've learned to use the Internet. And I think it's a very smart ploy on their part. It doesn't mean I have to enjoy it or love it or, you know,
There are comics who work the Madison Square Garden who are not funny to me. It doesn't mean I don't like them or hate them or, you know, wish them poorly. It's just that, you know, they've learned to use the Internet. And I think it's a very smart ploy on their part. It doesn't mean I have to enjoy it or love it or, you know,
But I respect the people who said, you know, like, for instance, when you had TV shows like The Lucy Show or Mr. Ed or Green Acres and you had these sitcom shows, they were written by some of the greatest writers in the business. Right. You never saw them. You only saw the names on the credits and they never got the exposure. But you watch Mr. Ed now. It's still hilarious. You watch Lucy.
But I respect the people who said, you know, like, for instance, when you had TV shows like The Lucy Show or Mr. Ed or Green Acres and you had these sitcom shows, they were written by some of the greatest writers in the business. Right. You never saw them. You only saw the names on the credits and they never got the exposure. But you watch Mr. Ed now. It's still hilarious. You watch Lucy.
But I respect the people who said, you know, like, for instance, when you had TV shows like The Lucy Show or Mr. Ed or Green Acres and you had these sitcom shows, they were written by some of the greatest writers in the business. Right. You never saw them. You only saw the names on the credits and they never got the exposure. But you watch Mr. Ed now. It's still hilarious. You watch Lucy.
It is a great, well-written show. So nowadays you have, you know, just a really good performer at the head of the show. And then you have a bunch of comics in there. So I don't hate it. At the beginning, I was like, darn those kids. But I actually respect a lot of them.
It is a great, well-written show. So nowadays you have, you know, just a really good performer at the head of the show. And then you have a bunch of comics in there. So I don't hate it. At the beginning, I was like, darn those kids. But I actually respect a lot of them.
It is a great, well-written show. So nowadays you have, you know, just a really good performer at the head of the show. And then you have a bunch of comics in there. So I don't hate it. At the beginning, I was like, darn those kids. But I actually respect a lot of them.
Yeah. If you work hard, I respect it. You know, I you know, you can you know, I work with a bunch of younger comics and you can't I don't believe you could teach someone to be funny. You either have it or you don't. And I tell that to the people I work with. But you can workshop it. You can say, OK, here's a joke and I don't know how to finish it or the middle is a little bit weak or whatever.
Yeah. If you work hard, I respect it. You know, I you know, you can you know, I work with a bunch of younger comics and you can't I don't believe you could teach someone to be funny. You either have it or you don't. And I tell that to the people I work with. But you can workshop it. You can say, OK, here's a joke and I don't know how to finish it or the middle is a little bit weak or whatever.