Erika Alexander

Thank you. I love it. We can't afford you, so how are you going to pay for this?

Thank you. I love it. We can't afford you, so how are you going to pay for this?

Yeah, and you're directing and you're a producer and the way your career has gone has been tremendous. It's phenomenal. It's iconic. Oh, see, here, I'm going to start. Here we go. Get your tissues out. I know. It's iconic because every little black girl I knew wanted to be you. They wanted your haircuts. They wanted your life. They had no idea what it was like for you on or off stage.

Yeah, and you're directing and you're a producer and the way your career has gone has been tremendous. It's phenomenal. It's iconic. Oh, see, here, I'm going to start. Here we go. Get your tissues out. I know. It's iconic because every little black girl I knew wanted to be you. They wanted your haircuts. They wanted your life. They had no idea what it was like for you on or off stage.

And then suddenly you're standing next to her and she's giving you advice. So we'll talk more about that. We'll talk more about that. I'm crying. Find your life. Because I will always be grateful. I will always be grateful to that girl.

And then suddenly you're standing next to her and she's giving you advice. So we'll talk more about that. We'll talk more about that. I'm crying. Find your life. Because I will always be grateful. I will always be grateful to that girl.

But also to have survived. We're going to talk about what makes the spine of somebody. You know what I mean? She has a platinum mind, you know, and a spine of steel and heart of gold. Let's talk about that.

But also to have survived. We're going to talk about what makes the spine of somebody. You know what I mean? She has a platinum mind, you know, and a spine of steel and heart of gold. Let's talk about that.

Come on now.

Come on now.

Because I'm not going to. No. Yeah, she started looking down. She knew.

Because I'm not going to. No. Yeah, she started looking down. She knew.

Let's do that right now.

Let's do that right now.

And you figure very greatly in one and two. First, your character, Regine, is introduced to the audience as a person who's Very about the outward looks. And you have, let's say, a path for yourself. You're going to find a man, he's going to take care of you, and you're going to look good while you do it. Right. That's how it is. The first time we meet Regine, she is dating a married man. Right.

And you figure very greatly in one and two. First, your character, Regine, is introduced to the audience as a person who's Very about the outward looks. And you have, let's say, a path for yourself. You're going to find a man, he's going to take care of you, and you're going to look good while you do it. Right. That's how it is. The first time we meet Regine, she is dating a married man. Right.

She didn't. Right, not in the beginning. But she actually didn't care when she found out. Right, right, right, yes. Yeah, she was really a hussy. Yeah. And... She really was.

She didn't. Right, not in the beginning. But she actually didn't care when she found out. Right, right, right, yes. Yeah, she was really a hussy. Yeah. And... She really was.

Right, right. And ill-informed. And then the next time, you have a man, but you're just like, eh, whatever. Mm-hmm. You know, so that's where we are in episode two. So if you do us the favor of setting us up. Oh, yes, yes, yes.

Right, right. And ill-informed. And then the next time, you have a man, but you're just like, eh, whatever. Mm-hmm. You know, so that's where we are in episode two. So if you do us the favor of setting us up. Oh, yes, yes, yes.