Erika Alexander

So we should watch clip one because we're going to see the beginning of it.

So we should watch clip one because we're going to see the beginning of it.

What we're getting from this is that Khadija, played by the great Queen Latifah, is always going to be concerned about the health of her business. She's always going to have to be watching Sinclair despite her good intentions will mess her up and or miss things. And then she's always going to be interrupted by the continuing saga and soap opera of her various friends. There you go.

What we're getting from this is that Khadija, played by the great Queen Latifah, is always going to be concerned about the health of her business. She's always going to have to be watching Sinclair despite her good intentions will mess her up and or miss things. And then she's always going to be interrupted by the continuing saga and soap opera of her various friends. There you go.

That's the show. Sinclair was a royal mess up, but you play her beautifully. Thank you. Thank you. You know what I'm saying?

That's the show. Sinclair was a royal mess up, but you play her beautifully. Thank you. Thank you. You know what I'm saying?

That's not what matters. No, that's what's up. Sinclair, genius. Pure genius, right? I think so. Me too. And what's played by a pure genius, Kim Coles. Let's just be real. No diggity, no doubt. No diggity, no doubt. You were just coming off of Living Color. Yes. You have a background in comedy. Yeah. How much did that play into?

That's not what matters. No, that's what's up. Sinclair, genius. Pure genius, right? I think so. Me too. And what's played by a pure genius, Kim Coles. Let's just be real. No diggity, no doubt. No diggity, no doubt. You were just coming off of Living Color. Yes. You have a background in comedy. Yeah. How much did that play into?

Because the play is, here you are doing this receptionist cousin role. Right. And actually, dumb characters are actually very smart. It's actually very hard to play so-called characters who are seen as innocents or, you know what I mean, simple. Because I was a grown woman playing that, so I couldn't be too dumb.

Because the play is, here you are doing this receptionist cousin role. Right. And actually, dumb characters are actually very smart. It's actually very hard to play so-called characters who are seen as innocents or, you know what I mean, simple. Because I was a grown woman playing that, so I couldn't be too dumb.

Suzanne Somers did that as Chrissy. There's a classic wonderful thing. Who's our golden girl?

Suzanne Somers did that as Chrissy. There's a classic wonderful thing. Who's our golden girl?

She's complicated and she's frustrated, but she's also very upfront that, you know, that she's got a lot of things that she's tumbling around. And actually, I think that you're the great equalizer. Thank you. You know what I mean? You compliment each other. Thank you. You actually compliment each other as performers, too. I think so, too.

She's complicated and she's frustrated, but she's also very upfront that, you know, that she's got a lot of things that she's tumbling around. And actually, I think that you're the great equalizer. Thank you. You know what I mean? You compliment each other. Thank you. You actually compliment each other as performers, too. I think so, too.

I always thought that you shared the same dressing room because you both had big titties.

I always thought that you shared the same dressing room because you both had big titties.

Wow. Well, you know, everybody thinks it's all fancy back there, but we're in a huge warehouse and they've got in the back of these sets, the sets are built with sort of plywood and whatnot. They look great from the front. From the back, it's all, you know, smoke and mirrors. And we are in dressing rooms that are Curtains. Curtains.

Wow. Well, you know, everybody thinks it's all fancy back there, but we're in a huge warehouse and they've got in the back of these sets, the sets are built with sort of plywood and whatnot. They look great from the front. From the back, it's all, you know, smoke and mirrors. And we are in dressing rooms that are Curtains. Curtains.

But what you're doing is establishing the two main characters, their dynamic as friends, and then also the third friend, Regine, is about to walk in. Hello!

But what you're doing is establishing the two main characters, their dynamic as friends, and then also the third friend, Regine, is about to walk in. Hello!