Esther Zuckerman

Right.

That it was just always like even people would struggle with British shows and you'd have to fucking remake them in English, you know, in American English.

And Netflix has just made it like we are an international company.

Everything goes on the same site.

It catches on with this audience.

Totally.

And so if like someone pops in Squid Game, Hollywood isn't like, oh, I watched this weird thing.

This guy is good.

How do we find a new way to introduce him to a new audience from square one as if to them he hasn't done anything?

It's like, no, put the Squid Game guy in Star Wars.

Like there there is a kind of open playing field in that way.

Uh, even I feel like, like Omar Sy, who was like one of the last guys where it's like, this dude's become the biggest star in France.

Let's put him in Jurassic world.

And you're like, oh, he's in this.

He doesn't really make an impact.

He's in a couple other American action films.

Then he does loop have French series and everyone's like, oh, cool.

Yeah.

Show us the real fucking thing.

He's had, like, six franchise-y, big-budget movies in which he played a principal character, and all of them are basically exactly the same and did nothing for his career other than normalizing his name above a poster in America.