Esther Zuckerman

And the camera move is these two men are both holding the Polaroid on opposite sides.

And it's basically the POV of her dad.

And the camera just like dollies up with Depardieu.

Of the two of them, the feeling of maintaining eye contact.

as they're holding this object that they know says a tremendous amount that now needs to be acknowledged in some way.

And Debra do hold that close up really fucking well.

And it's that feeling of you are stuck in a moment, as you two would say that you can't get out of.

Right.

And then there's another one, which is when... It's a beautiful day.

He basically drops Annie McDowell off with a fuckhead boyfriend.

Greg, what's his pants?

Phil!

Edelman.

I know the actress Greg Edelman.

Halfway down the block with envy, realizing for the first time he's jealous he is.

And rather than walk the opposite way as he should, he walks towards them to basically challenge her.

Are you going to break reality on this?

Or are you going to treat me like a stranger?

Either way, I get a closer view of whatever's going on with you.

It is like, what does this moment need to convey?