Expert

Tony Danza.

Tony Danza.

I'm begging you.

I'm begging you.

It did not take me long to open the question as to whether it might not be more than that. That in fact, plural realities did exist superimposed onto one another like so many film transparencies. I wrote both novels based on fragmentary residual memories of such a horrid slave state world.

It did not take me long to open the question as to whether it might not be more than that. That in fact, plural realities did exist superimposed onto one another like so many film transparencies. I wrote both novels based on fragmentary residual memories of such a horrid slave state world.

We are living in a computer-programmed reality, and the only clue we have to it is when some variable is changed and some alteration in our reality occurs.

We are living in a computer-programmed reality, and the only clue we have to it is when some variable is changed and some alteration in our reality occurs.

One thing I really want you to know, I am aware that the claims I am making, claims of having retrieved buried memories of an alternate present and to have perceived the agency responsible for arranging that alternation These claims can neither be proved nor can they be even made to sound rational in the usual sense of the word.

One thing I really want you to know, I am aware that the claims I am making, claims of having retrieved buried memories of an alternate present and to have perceived the agency responsible for arranging that alternation These claims can neither be proved nor can they be even made to sound rational in the usual sense of the word.

That is that my book, like his, was in a certain real, literal, and physical sense, not fiction, but the truth.

That is that my book, like his, was in a certain real, literal, and physical sense, not fiction, but the truth.

Look, you better- The gloom approaches.

Look, you better- The gloom approaches.

What happened? He says, well, this thing was flat on the bottom, sloping sides, a little ledge around there, and then a dome on the top with these little glass things on top. It looked like there was a camera under each one. And I said, really? He says, yeah. No, no landing gear. It was hovering. And I said, let me borrow your pen.

What happened? He says, well, this thing was flat on the bottom, sloping sides, a little ledge around there, and then a dome on the top with these little glass things on top. It looked like there was a camera under each one. And I said, really? He says, yeah. No, no landing gear. It was hovering. And I said, let me borrow your pen.

So I took out a Kodak lens cleaning tissue package that I had in my camera bag. It was the only thing I could think of to draw on. I did a quick sketch of this alien reproduction vehicle as described by my friend Brad Sorensen. back in 1988. And I said, is that what you saw? He says, oh, you've seen one. I said, no, but I wasn't sure until this moment that the story was absolutely true.

So I took out a Kodak lens cleaning tissue package that I had in my camera bag. It was the only thing I could think of to draw on. I did a quick sketch of this alien reproduction vehicle as described by my friend Brad Sorensen. back in 1988. And I said, is that what you saw? He says, oh, you've seen one. I said, no, but I wasn't sure until this moment that the story was absolutely true.

And so that was when I knew there was a second point of confirmation.

And so that was when I knew there was a second point of confirmation.