Frankie Quiñones

Yeah.

So, uh, yeah, bro, you just try to commit to your jokes or try to just go into crowd work or just, you try to just get, get yourself out, you know, but, but you know, when you get to a stage where you get just more comfortable, no matter what happens, you know, you're like, all right, the crowd ain't vibing with me.

It's all good.

You know, chilling.

But in the beginning I'd be like, oh shit, it's not going good.

You know, get through the jokes.

Yeah.

You just get, get scared, bro.

But you have to go through that shit, you know, through the journey to get, to get where you're at.

Yeah.

What's the difference between, you know, just going to the comedy store or a comedy club versus shooting a special?

Well, man, you know, when you're doing your sets in town, it's just, you know, you're kind of just working out, doing the thing.

But yeah, those places are great.

You know, I'm a paid regular at the comedy store.

That was like a dream come true.

You know, especially my mom and dad were diehard stand-up fans.

So they would go to the comedy store when they were dating or to the Hollywood Improv.

So now they get to see me at those places.

But yeah.

it's always an honor to walk through those doors and yeah you're just you're always part of it's always showcases you know there's always like six seven comics on the bill and when you're working out in those rooms it's all hitters you know so you're just like amongst the best of the best and so you're you kind of elevate your game to to be able to be on the same stage as those dudes you know but but it's cool man but yeah recording the special is you know you got to have your shit polished up dialed in and uh there's room to play you know do a little crowd work but you know you're serving them up the shit you've been working on for the last however how many years yeah yeah