Genevieve Schatz

the conventions even more that's true and people would have a hard time kind of knowing how to actually just receive what was happening like they would often be like there's a couple of females i can think of to compare her to and they would just drop like you know the number one you know ones that were playing on the radio at the time and and i'd always think like i'm nothing i don't sound like them yeah they're wonderful yeah but that's not me yeah did you enjoy pushing through that or was it a pain in the ass

I think I hurt myself physically to try to push through that, actually.

Yeah, I think I tried to sing harder and longer and louder.

And I think I was afraid to actually be vulnerable enough to show my gentle vibration.

Yeah, no, it was a wonderful experience.

And I think it was the only way that it could have gone.

It was...

amazing to grow up in chicago and to have a rock band and to play those venues and to also ride the wave and get out of the city you know for being on tour and um just going around and sharing music and having that be a way to have a conversation with someone or break the ice with someone and totally did you make it to down under to new zealand and australia not yet

That'd be so fun.

We'll sort it out.

Yeah.

So what is this devil chair?

Okay, I have a way of connecting it to the music.

Writing songs, I always used visions that I had, whether it was from meditations or dreams or just emotions that I was trying to work through.

And I would sort of see a picture.

I didn't know that it was called clairvoyance.

It was just a thing that I...

had access to.

Um, and it wasn't until I went on tour with my band all over the U S that I really had it like blown back open from childhood.

Cause it was always something when I was a kid that I had.