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Geordie Williamson

šŸ‘¤ Speaker
426 total appearances

Appearances Over Time

Podcast Appearances

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

And she takes on the challenge that he set out for her of completing the game that he started writing for her.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

Yeah, look, the Babylon, and I found this the most kind of thrilling and obviously kind of freely imaginative strand of the novel.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

The Babylon is, yeah, it's like Blade Runner in that the future and the past are so unevenly distributed.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

So although we're half a millennium into the future, nonetheless, it's run by sale and

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

There are some technologies available, but they have been bought at great cost.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

They've got just enough tech to keep the old girl running, but not enough to actually kind of make a real living for themselves.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

So Yesiko has inherited the boat from her father.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

who became addicted to a drug of choice for this brave new world called Hum, which is basically a way out from what is an intolerable drowned world post-climate change and civil breakdown.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

So listeners may have been here before.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

This is quite well-trodden ground now.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

I know for years we said there wasn't much writing about climate change, but this is cli-fi, I think, that's already kind of presumed certain tropes and integrated them into the story.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

Chaya's really fascinating.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

And she is, in fact, the link that joins together these four generations of women over this half a millennium period of time.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

Because Chaya, who we meet at the beginning of the sort of 26th century strand, has actually been invented or created half a millennium before by a woman named Tamar Portman.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

who's a bioengineering professor, and she's been given the task of creating these robots who are going to go out into the world and they're sort of delicate ecological sensing systems.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

And what they're going to do is they are going to provide...

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

the kind of real-world data that allows the world to be our world, this world, to be healed.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

What she doesn't realise is that the whole robot project has been brought up by, cue the billionaire, the tech bro.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

I can't imagine that.

The Bookshelf
Elizabeth Strout, Daniel Kehlmann and a Genre‑Bending Debut

Who, surprise, surprise, instead takes them all out of commission and puts them as kind of robot helpers on space arcs that he sells places at excruciating costs to humans who may wish to leave Earth and go to restart things on another planet.