Glenn Ficarra

Directing in more ways than one. No, it was our first directing. But we've been working together as writers and making short films since college.

Directing in more ways than one. No, it was our first directing. But we've been working together as writers and making short films since college.

Directing in more ways than one. No, it was our first directing. But we've been working together as writers and making short films since college.

That's where you guys met?

That's where you guys met?

That's where you guys met?

Cats and Dogs. I saw Cats and Dogs. Glenn Ficarra was the voice of the Russian kitty. Stop it. Wait a minute. Breaking news, hot take. I think about the baby puppy.

Cats and Dogs. I saw Cats and Dogs. Glenn Ficarra was the voice of the Russian kitty. Stop it. Wait a minute. Breaking news, hot take. I think about the baby puppy.

Cats and Dogs. I saw Cats and Dogs. Glenn Ficarra was the voice of the Russian kitty. Stop it. Wait a minute. Breaking news, hot take. I think about the baby puppy.

There was a stiff wind blowing behind Sterling. And Dan was like, okay, I never really heard of him.

There was a stiff wind blowing behind Sterling. And Dan was like, okay, I never really heard of him.

There was a stiff wind blowing behind Sterling. And Dan was like, okay, I never really heard of him.

In fact, at this location in Glendale, California, we were picked up by a van to go location scout for season two. This is true.

In fact, at this location in Glendale, California, we were picked up by a van to go location scout for season two. This is true.

In fact, at this location in Glendale, California, we were picked up by a van to go location scout for season two. This is true.

Well, you know, it's an interesting thing. In college, you make movies about death that are morbid and depressing and you think you're going to be a serious filmmaker. Then we would have little side projects that were funny and not emotional but character-based. And everybody loved those and everybody hated their serious films about death.

Well, you know, it's an interesting thing. In college, you make movies about death that are morbid and depressing and you think you're going to be a serious filmmaker. Then we would have little side projects that were funny and not emotional but character-based. And everybody loved those and everybody hated their serious films about death.

Well, you know, it's an interesting thing. In college, you make movies about death that are morbid and depressing and you think you're going to be a serious filmmaker. Then we would have little side projects that were funny and not emotional but character-based. And everybody loved those and everybody hated their serious films about death.

Back when we had to shoot on film and you'd spend a fortune on getting the film and then you do some stupid thing on the video and everybody's like, I saw that, that was amazing, all across the campus at our school. We have a clip. And we were, if we have any intelligence about us, we were like, well, maybe we should just go with the thing that people like. What was the campus?

Back when we had to shoot on film and you'd spend a fortune on getting the film and then you do some stupid thing on the video and everybody's like, I saw that, that was amazing, all across the campus at our school. We have a clip. And we were, if we have any intelligence about us, we were like, well, maybe we should just go with the thing that people like. What was the campus?