Glenn Ficarra

And you want in, you want more information. And this is like, we want to give you too much information. We want to make the audience feel uncomfortable that they're dropping in on this comic.

And you want in, you want more information. And this is like, we want to give you too much information. We want to make the audience feel uncomfortable that they're dropping in on this comic.

Yeah, uncomfortable that they're being brought into this family and getting the secrets that they shouldn't be getting. And that's that voyeuristic thing. I think it worked. Yeah. Yeah. Yeah. Yeah. Like, you know, remember, we would always put the camera and you'd be, we were eventually told not to do that anymore, but we would let the actors drive. Yeah. Remember this?

Yeah, uncomfortable that they're being brought into this family and getting the secrets that they shouldn't be getting. And that's that voyeuristic thing. I think it worked. Yeah. Yeah. Yeah. Yeah. Like, you know, remember, we would always put the camera and you'd be, we were eventually told not to do that anymore, but we would let the actors drive. Yeah. Remember this?

Yeah, uncomfortable that they're being brought into this family and getting the secrets that they shouldn't be getting. And that's that voyeuristic thing. I think it worked. Yeah. Yeah. Yeah. Yeah. Like, you know, remember, we would always put the camera and you'd be, we were eventually told not to do that anymore, but we would let the actors drive. Yeah. Remember this?

And we would sit, we'd be in the backseat with a camera.

And we would sit, we'd be in the backseat with a camera.

And we would sit, we'd be in the backseat with a camera.

And we would just shoot you in the backseat like that. Like, like you would a documentary or something. Yeah.

And we would just shoot you in the backseat like that. Like, like you would a documentary or something. Yeah.

And we would just shoot you in the backseat like that. Like, like you would a documentary or something. Yeah.

Yeah, yeah. They were not happy.

Yeah, yeah. They were not happy.

Yeah, yeah. They were not happy.

yeah that's a good point i mean that's a good point because dan and and glenn and i were doing mixed tone and we sort of found each other right and we were like oh wow we're doing the same thing yeah and that and the show was mixed tone right yeah definitely yeah and i think probably that earlier seasons were a little

yeah that's a good point i mean that's a good point because dan and and glenn and i were doing mixed tone and we sort of found each other right and we were like oh wow we're doing the same thing yeah and that and the show was mixed tone right yeah definitely yeah and i think probably that earlier seasons were a little

yeah that's a good point i mean that's a good point because dan and and glenn and i were doing mixed tone and we sort of found each other right and we were like oh wow we're doing the same thing yeah and that and the show was mixed tone right yeah definitely yeah and i think probably that earlier seasons were a little

And then as the seasons roll by, everybody goes to a funeral and they're talking to a friend they haven't seen in a long time and then they laugh and they look around, they're like, oh, I just laughed at a funeral, but that's life. Life is like crying and laughing at the same time. And mechanistically, storytelling, it's the rents. We call it the rents.

And then as the seasons roll by, everybody goes to a funeral and they're talking to a friend they haven't seen in a long time and then they laugh and they look around, they're like, oh, I just laughed at a funeral, but that's life. Life is like crying and laughing at the same time. And mechanistically, storytelling, it's the rents. We call it the rents.

And then as the seasons roll by, everybody goes to a funeral and they're talking to a friend they haven't seen in a long time and then they laugh and they look around, they're like, oh, I just laughed at a funeral, but that's life. Life is like crying and laughing at the same time. And mechanistically, storytelling, it's the rents. We call it the rents.