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Graham Taylor

👤 Person
404 total appearances

Appearances Over Time

Podcast Appearances

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

What do you want a pointed vessel for?

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

That's crazy.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

They're pointed because their main function is to go into a ship.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

They are vessels for carrying liquid products, mostly wine, olive oil, fish sauce.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

But they also ship things like sort of dates and figs and things packed in honey.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

And they're there to be shipped in an ancient Roman or Greek ship.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

And the hull of that ship is, you know, hull-shaped.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

It's sort of V-shaped.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

there would be little in the way of flat surfaces.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

And even if there were, this ship is going to be rolling around.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

So what you need is something that allows you to fix those things into place.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

And when you've got the timbers of the ship and other lats of wood nailed across those, you can leave gaps into which the pegs of the amphora go.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

And the amphora are then stabilized and you

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

tie across all the tops with rope.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

And there have been finds, I think, in the Mediterranean of ships where there is evidence still of weaving of rope or pieces of wood or whatever through the handles, and you ship them.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

But there are other reasons.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

From a potter's point of view, when you fire huge pots with big flat bottoms to them in what is an updraft kiln, now in a Roman or Greek kiln,

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

The fire is at the bottom of the kiln.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

And then at the top, you close it off because you normally pack in from the top of the top of the kiln.

Ologies with Alie Ward
Ceramology (POTTERY) with Potted History’s Graham Taylor & Sarah Lord Taylor

So the fire's at the bottom.